Diddy Was Allegedly Jealous Of Tupac and Biggie Friendship

[00:00:00] Let's go, let's go. You always got to remember Doggie Diamonds did this. That's important that you know that everything that you see pertaining to this, Doggie Diamonds did this. Make it happen.

[00:00:14] So I've been trying to go crazy with the content, trying to put out a lot of content. I have a, yo man, oh my God. I looked, I said, wow, I probably got years of content to just put out.

[00:00:26] So that's what I've been doing. So make sure you check the uploads as well as you check the lives, make sure you check the uploads. It's very, very important to check the uploads as well.

[00:00:35] So as you go through, I don't know how it, how it propagates for y'all on the app or the computer, whatever the case may be, but it's very, very important that you check other things. So I

[00:00:50] don't know how it would look, but I'm going to go there really quick and see how it would look to y'all. So you can see this is what's going on now. This is the videos, but I uploaded these videos

[00:01:01] lately, uploaded a, this is a live, but if you go to the video section, you can see I uploaded a lot of videos. So what I'm trying to do now is get back into it. It's three different algorithms.

[00:01:12] I explained it one day. So sometimes people might say, Hey, you uploaded a video. Nobody is watching it. No, a lot of people are not getting it. It's three different algorithms as it was explained to

[00:01:21] me. But maybe I'll explain that today. Maybe I won't. Maybe I'll explain it one day. Maybe I won't. I don't know. Lucky Stardust in the building, long time. Pretty Gangsta, how you be? How you be?

[00:01:34] How you be? Bernadette is in the building. Be Nice is in the building. Bay Area is in the building. Storm and Norman is in the building. I see y'all, man. I appreciate y'all for being here.

[00:01:47] You know, if you can't, um, you don't have any super chat to add on to what you could do with, just hit that, that like button. That's, that's everything. I like button and don't,

[00:01:57] don't forget to check the YouTube community a lot too. So, you know, as, as I'm a little talking about diddied out, I'm going to be honest with you, but as new revelations come out,

[00:02:11] I guess we have to go back and revisit stuff because a lot of stuff that we thought over the years or we wondered over the years is now coming to fruition. Right? Now we're starting

[00:02:25] to see and understand what's happening, right? I got to refresh because for some reason it gets to a certain point, like the five minute mark, and then it starts wiling out. So let me see what,

[00:02:38] what, why does it do that? It gets to like the five minute mark and then it messes up a little bit. So I want to know why it's doing that. I don't know. I got to talk to YouTube, but anyway,

[00:02:51] I'm here. I didn't go anywhere. It just gets to the five minute mark and then it starts spinning on that on this side, like it pauses or something. So I just want to make sure,

[00:03:01] but let me get back to the point. So we was wondering over the years, why did so many things start to happen between Tupac and Biggie? Because like I said, we were, we knew that they were friends and then something went wrong, but we didn't really

[00:03:22] understand what went wrong. We didn't understand where did all of this stuff start. So as more revelations are starting to come out, we starting to understand who might've been who might've been the driving force, no Puffy, behind. Damn, I can't even say driving force

[00:03:49] behind. All of that just don't even go right. Who was responsible for these two young men? Cause we, you know, although we look back, we sometimes we forget how young these men were. That's Tupac and Biggie, how young they were, Biggie, how young they were

[00:04:08] and they started beefing more so Tupac beefing with Biggie. And where did it derive from? Now I did a show where I felt like Hit Em Up wasn't as dope as Against All Odds, right?

[00:04:32] People disagree with me. Some people agree with me, whatever. So now look in Against All Odds, if you listen to that record, which was a scaven diss to me, he dissed Haitian Jack. He dissed Jimmy Henchman. He dissed Stretch, but he dissed Diddy. He didn't diss Biggie

[00:04:58] in Against All Odds. He didn't diss Biggie. He dissed Puffy for some reason. For some reason, he said Puffy getting played like a, to hide that fact, he did some, he shouldn't have did.

[00:05:12] So we riding for that. Why did, what did Puffy do? How was Puffy getting played like a, and what did he do that he shouldn't have done? Now we're never going to notice why, because unfortunately,

[00:05:25] Tupac is not here. Right? So I didn't understand why he said that. If his beef is with Biggie, right? He got this record, hit him up. And you know, that's why he went at, but then he was like

[00:05:43] Puffy getting played. So to hide that fact, he did something he shouldn't have did. I always wonder what he was, what did, what did he do? What was his beef with Diddy?

[00:06:00] What was his beef with Diddy? Now let me go on record and say when Tupac went to Quad Studio, I seen people saying Biggie knew he was coming. They are lying. I'll go on record and say they

[00:06:24] are lying. Big did not know he was coming to the studio. He didn't know. So when the incident took place, he was kind of bewildered that it happened because he didn't even know he was coming to the

[00:06:37] studio. You understand what I'm saying? Pac mind state. I kind of try to enter his mind state sometimes because he was a young man as well. Confused, you know, you've been, you've been arrested, you've been accused of something you've been, you know, you know.

[00:06:59] So I could kind of understand why he went the way he went, but then he wasn't telling some truths too, because he knew Biggie didn't have nothing to do with that. So I think he was more

[00:07:09] mad at Diddy. So according to one of the former Bad Boy, I say alleged co-founders, Kirk Burrow, this is where this derives from. This is why I'm doing this live here tonight.

[00:07:27] Kirk Burrow was a founding partner of Bad Boy and was the former president of Bad Boy. This is facts. And he says Sean Diddy Combs was always jealous of the initial friendship between Tupac

[00:07:42] and the notorious B.I.G., speaking with Rolling Stone. He claimed that Combs was fond of Pac, but the feeling wasn't mutual. Instead, the legendary West Coast rapper was more interested in bonding with Biggie. There was someone on the sidelines jealous. Burrow's remark of Diddy.

[00:08:06] So let me tell you something that I know firsthand. I know that I know firsthand. I'm going to come back to this article, but I'm going to tell you something that I know firsthand. So Biggie used

[00:08:18] to come to the crib and he wanted to make a show tape. Back in the days, you had to make a show tape and he wanted me to put I Get Around on a show tape and leave

[00:08:34] 16 after Pac verse so he could rap. So what Pac was doing, he would perform I Get Around because you know that was his biggest record at the time. And I was show approved. I Get Around was big,

[00:08:47] right? So he wanted Biggie. Biggie had a verse for I Get Around, so he would perform when Pac came to town, Biggie would perform I Get Around and anybody would verify that, that no. I mean,

[00:09:00] why they don't ask Redman? Why they don't ask some of these people who was there? They keep asking everybody else about Biggie and Pac relationship. And a lot of people were using

[00:09:11] it for their clout or their storyline. But why they don't ask the people who was there at the shows? I'm telling you, Biggie didn't have an official verse, but he would rap for I Get Around.

[00:09:26] He would have a verse at the shows. That's why they're sitting at the table. That's why I used his default picture in the thumbnail. Remember they sat in, they rhymed together. They was

[00:09:38] together. They was together. You understand what I'm saying? And he wanted me to make the show tape and at the end, but I didn't have an I Get Around instrumental. So I would have had to loop it,

[00:09:51] do all that stuff. So I couldn't do it. Mind you, I'm only 15. You know what I'm saying? I'm 15 years old. So when he came, when Pac came to New York, he would get with Big, I'm in town,

[00:10:04] Big came to Fulton Street. Shout out to my man, Henny Lokes, who you would have saw. Henny Lokes, reason why he's in the video that I got up a little, Kim, because Henny Lokes was very,

[00:10:13] very instrumental in Tupac coming to my neighborhood. It wasn't Biggie, it was Henny Lokes. I'm giving y'all real history. And a lot of these dudes be lying and capping. They wasn't even there. A lot of them wasn't even there. I was there. I was there.

[00:10:36] So they were cool as hell. Another story, I'm going down Fulton Street. I lived on Waverly Avenue, right? You have Waverly Avenue, you have St. James, right? But in the middle of Waverly and St. James is Washington Avenue. Biggie hustled on Washington, as well as Nino Brown

[00:10:57] and a lot of people was over there. Shout out to my boy Nino too. That's my guy. Shout out to the whole Junior Mafia. That's my family, regardless of what. That's my family, right? So Biggie

[00:11:09] hustled right here on the corner of Washington and Fulton. Everybody was on Washington and Fulton, but I was going to the liquor store on St. James where he lived, but he didn't hustle on his block.

[00:11:19] He hustled on Washington. So I walked going in, he said to me, yo, what you doing later? I ain't doing nothing. What's good? He said, Pac is in a hotel in the city. I want to go meet with him. Come with me.

[00:11:35] I was going to the liquor store. So he's like, yo, where you going? Say, I'm going to get to the liquor store. He said, no, no, no, no, no, no, no, no. You know what? Nah, you can't come

[00:11:47] because you're crazy and Pac is crazy. I can't control both of y'all. This is actual facts. And I want to tell y'all something, man. Like for real, I never sit before y'all. I don't even be

[00:11:58] telling a lot of these stories. I don't even be saying a lot of stuff because I just watched so many people lie. Just be like, Oh God. You know what I'm saying? But he was like, I can't control

[00:12:10] both of y'all. So now you ain't, you can't come. You know what I'm saying? He said, you crazy and Pac is crazy. I can't, I can't do it. And I ain't dealing with both of y'all. So I just walked to

[00:12:23] the liquor store and got my, I probably listened at that time. I probably was drinking bum shit. This is like 94 before ready to die dropped the end of 93. You understand what I'm saying? Like

[00:12:46] this is, this is real and it's so real. You can ask Nino Brown. I had a record deal in my hood first. I used to have the limos come to the block and we go get big to St. James and we go to home

[00:12:59] base and all that. And my limo watch, watch what I do. We could, we gonna, we got to clear a lot of stuff up because this reason why I'm telling y'all this tonight is something missing in the

[00:13:12] story that we didn't get. It's something missing somewhere. We like, yo, hold up. What happened? The quads do the, nah, something is still missing with a lot of that. A lot of, and then now

[00:13:28] that all of this is coming out. Thank you chief from red for support my independent voice. Now that a lot of stuff is coming out, people are a little less reluctant to talk. You see

[00:13:37] people talking more, but y'all know I've been talking since day one. I've been telling y'all dude was foul. You understand what I'm saying? So let's get back to the article really quick, because this, this man who's telling this story, Kirk Burrows is very, very instrumental in the

[00:13:56] beginning foundation of bad boy records. He was the president. Rolling stone corroborated the feelings when speaking with hip hop photographer Monique Bunn. Pac didn't have any kind of respect for Puff Bunn said adding that Pac viewed Combs as a

[00:14:16] corny executive. Burrows also explained that the bad boy crew study Pac's hit. I get what I just say. What I just say, what records will he's on as an inspiration for finding mainstream

[00:14:32] hip hop success? I didn't read this article though. I'm going to be real with you. I just saw the title. I wish I had my cousin number because my cousin Jay was there too. He's man. Listen,

[00:14:44] he was there. Like he used to go to the shows with big a lot elsewhere in Rolling Stone piece on a disgraced music executive, the outlet reports on a new allegation stemming from Diddy's

[00:14:58] time at Howard university where he was accused of DV. But it was another part. I don't know if it's in this interview. I mean, in this story though, I don't, I don't think it's here.

[00:15:14] I don't think it's here. Cause I was seeing it. I heard about it somewhere else, but I don't think it's here. I didn't even read this whole thing, but yeah, let me, let me come back to y'all really

[00:15:28] quick. So Pac and big was cool somewhere. Something got messed up and I didn't understand why or how it happened because they were cool. Oh man. I almost call easy Moby. Damn. I don't want

[00:15:54] to, I'll talk to, I don't want to put Moby on the spot, but I'd rather speak to him sidebar and then have him as it was told to me, let's do that. As it was told to me, biggie didn't know biggie cook didn't know about publishing like that.

[00:16:20] Biggie didn't know about publishing like that. He sold, which business wise, Puffy buying his publishing was okay. Right? I guess it was business. But when you say somebody is your man, your friend and you love them and all of that, and this not friendly, it's not cool.

[00:16:45] Right. So biggie didn't know about his publishing. And we remember reading like the notes, the liner notes, the album. And I was like, who the hell is Justin Combs? Because if you look

[00:17:11] back at all them records back then they would say, Justin Combs publishing. We didn't know what publishing was. First of all, it was a particular time where you didn't really even get publishing.

[00:17:20] You would get royalty, right? You would get a royalty. You would get, you didn't, a lot of artists didn't know about publishing. You would get, if you sold records, you would just get royalty. Right? A lot of artists didn't know about publishing. Right? So biggie didn't really

[00:17:36] know about publishing. Now you got to remember, this is a dude coming off Fulton street who wasn't a big time hustler. Like he rapped like he was, he got money in the hood. He got money out of state.

[00:17:51] Well, we're going to, a lot of stuff be embellished. You know what I'm saying? And I'm just going to be real, right? A lot of stuff be embellished. So if you're not getting money on the street no more and you're a full-time rapper, where's your

[00:18:04] money coming from? You don't have an album out. You don't have no shows. So what you going to do? You're going to sell your publishing. So he got taken advantage of. But now when your album come out and you go platinum and you do all this stuff,

[00:18:20] you're not going to see certain monies because you don't have your publishing. So as it was told to me, he bought some of his publishing back and then they re-released the album. That's when he has on the brown and they put one more chance remix on there.

[00:18:40] So to get money for himself, Junior Mafia was being created, which I did Junior Mafia's first single. They could tell you that I did their first song that never came out, but I did their

[00:18:54] demo that got them the deal. Rest in peace Chico. That's the homie. So now he's penning Junior Mafia stuff, but he can't say he's writing certain things because who got his publishing.

[00:19:10] So if he's writing some of Lil' Kim stuff, cause she writes too. If he's writing See's stuff, he can't say he wrote it because he don't have his publishing. This is what I know for a fact.

[00:19:26] So that's why he said me and my nigga Lance took Kim and See's advance. So this is how, but now look, all the record label people are in bed with one another.

[00:19:45] A lot of the people are in bed with one another. So now you have, I think they signed a deal. I think the deal was through Rob Tullo. Shout out to Reef. Rob Tullo has something to do with

[00:20:00] Junior Mafia, Undears. If I'm not mistaken, but I think that was Craig Cowman at Atlantic cause it was Big Beat Atlantic, Undears. That's what the day was under this.

[00:20:14] You know what I'm saying? So he had to not put his name on the shit because he would have owed. He would have owed. So upon his passing, he didn't really have the money that he should have

[00:20:34] because he didn't have his puff. And remember, y'all gotta remember, he only did one album. He only did one album, but he's writing everywhere. He's writing for Puff. Are you right for a nigga that got your publishing? So one thing I could respect about Pac,

[00:20:55] one thing I could respect about Pac, I think they had a Gemini connection. Cause they both Geminis. They around the same age. Biggie had a personality that if you met him,

[00:21:18] you was drawn to him because he was a rapper's rapper. Like he was the type that you get around him and he want to rap. He want to hear what you got. So being around him, you was definitely

[00:21:33] going to be on your pen. You're going to sharpen your pen. You know, you, you, you gonna rap. So I think did he fear was Pac was a little bit more educated in the culture of the game and the

[00:21:51] business. Although he went through trials and tribulations as well, but he can say to Big, yo, you such and such and such and such. And I knew Big was green.

[00:22:05] I didn't even know what publishing was. EZ Moe B was an OG. He wasn't green. You know what I'm saying? Damn man, I wish I had my other phone by me. I will call Moe right now, but I don't want

[00:22:20] to put them on the spot, but I'm going to have a conversation with him. We gonna do that. I think Pac would have warned Biggie of some stuff and told him some stuff as far as business. EZ Moe B

[00:22:43] got cut out the picture after a while too. Remember? Now ask yourself this, how does the man who did damn near the majority of Ready To Die album, he did the what? He did

[00:22:58] Warning, Give Me The Loop, the title track Ready To Die. He did That Ain't Right. He did a lot of music. How was he cut out of the equation? You know why he was cut out of the equation?

[00:23:21] Because when Flavor In Your Ear remix came out, did he put his name first as a producer? How? Even the what beat, did he used it for Mary J. Blige's I'm Going Down remix? Listen to Mary J.

[00:23:42] Blige's I'm Going Down remix. It's the what beat. And all of this stuff is starting to say produced by Puff Daddy, but he didn't produce it. Technically he is a producer, but see what

[00:23:57] happens was we started conflating producer with beat maker. And they wasn't the same at one point. Then you started having super producers who was beat makers and the producers. So that's how you got the Kanye's, the Timberlands, the Swizz, and certain people like that. But it wasn't always

[00:24:19] the producer and the beat maker wasn't the same person always because it would say produced by Barry White, right? Let's use Barry White. Produced by Barry White. He ain't playing their instrument. So you had string section, you had trumpets, you had keys, you had guitars, you had

[00:24:36] bass, but he produced the record. And then when it got to hip hop, we had the same thing because if you listen, if you look at one particular point on the record, it would say drum programming by

[00:24:50] such and such, bass played by such and such. It would have broken down who added the components to the music. It would say who added the components to the music. And then you had hip hop

[00:25:10] where now you had super producers who do everything. So when you see produced by Puffy, we started confusing him with what we knew to be the Timberlands and different people. Even

[00:25:26] Dr. Dre is a producer, but he's not always a beat maker. I don't know if y'all know, but you listen to 50 Cent in the club, DJ Quick got something to say about that.

[00:25:42] That's all I'm going to say about that. But it says produced by Dr. Dre. You could research that. That doesn't take anything away from Dr. Dre because he's still a producer. So that's what

[00:25:55] I'm saying technically, Puffy is a producer, but he's not the beat maker. And he was taking credit as the beat maker and the producer. But look up Mary J. Blige, I'm going down. Remix. It's the what beat. Who did the what beat?

[00:26:20] So EZ Mobie got cut out of the equation. EZ Mobie has an interview out there as of recently where he says, yo, he put his name before mine's. And he had a problem with that. And I remember this man,

[00:26:42] this is fucking like 1994. Me and EZ Mobie had the same house phone numbers. This is before cell phones and beepers. I didn't have no beeper growing up till I was able to get my own beeper.

[00:26:56] But I had a house phone number. I think our numbers is off by two numbers. So people used to call my house like, yo, can I speak to Moby? And I'm like, this ain't Moby and vice versa.

[00:27:04] Our number was so similar. So EZ Mobie got cut out of the equation. So anybody who was giving Biggie any gain, they got pushed out the equation because listen, I don't know if y'all know. Biggie couldn't drive. He didn't drive. Right.

[00:27:29] Moby had a green Acura Legend. This is when legends is Acura. Acura still costs a lot of money, but he had a green Acura Legend, right? He parked his car on my block because we had a

[00:27:50] parking lot. So I would see Moby every day, Moby every day going to get his car because this is where he parked his car in the parking lot. So he would, and mind I told you, I'm on Waverly.

[00:28:03] You got Washington, you got St. James where Biggie is from. What he would do, he would get his car, get Biggie, they will go to the studio. So that's how Ready to Die was created.

[00:28:17] That's how Ready to Die was created. It was created head on, no Puffy, because we were all in the same neighborhood. So that's how I originally tracked a demo for Warning. I always tell the story of how I tracked the demo for Warning in like 93, 94, something like that.

[00:28:38] And a lot of records that y'all heard now, we been had those records, like, you know what I'm saying? You know what I'm saying? King of the Blends, thank you for support my independent voice with

[00:28:48] the Super Chat. So EZ Moby got cut out the equation, but I remember him talking to Biggie about his publishing. And I just don't want to call him and put him on the spot. I want to

[00:29:04] forewarn him. And I want him to speak to you and him being able to speak candidly out loud about publishing and what really took place because he was there. And it ain't cool to record phone calls without somebody knowing. That's not what I do.

[00:29:24] You know what I'm saying? That's my big brother too, somebody who watch me make music. So the music that y'all hear and stuff, he was there watching me do this stuff

[00:29:38] when I was 15. You know what I'm saying? I was a kid doing this music. So a lot of the music that y'all like from me, I've been doing this. But that's the big bro. If I call him right now,

[00:29:50] he'll pick up the phone. You know what I'm saying? So don't you understand that it was really no problem between Pac and Big because Moe B produced Pac. So if it was a conflict with Big and Pac,

[00:30:12] Moe B would not have messed with Tupac. That goes to show that they did not have a problem. He did Temptations and he did If I Die Tonight and LG, Moe B brother did Running. You understand

[00:30:30] what I'm saying? So when you hear Moe B drop some shit, that's the same EZ Moe B. He worked with both of them and his brother LG who did all that Ill Al Scratch music, that's EZ Moe B brother who

[00:30:47] did that music. That's EZ Moe B brother who did all the Ill Al Scratch. Even I know about hip-hop for a while. It was a group called the Boogie Monsters where they had a record called

[00:31:04] Recognize Thresholds of Negative Stress. That's EZ Moe B brother who did that music. EZ Moe B and his brother did the Jizza album, Word From The Genius. So if Pac and Big had beef,

[00:31:27] Moe B would not have chosen Tupac over Big. That's facts. We from the same neighborhood. We all live in the same neighborhood. We all see each other. So all that, we're my homies

[00:31:42] and I'll take her and all that, that was all LG experience. That is EZ Moe B's younger brother. This is real. And again, I know y'all love other people. Y'all love other channels. But when it

[00:32:00] comes to hip-hop talk, can't nobody on this shit fuck with me. And I'm a curse really quick. You know why I know? Because I was there. I was in these studio sessions. I was there. So

[00:32:21] it had to be somebody or something that drove a wedge between them and this is the problem. And when we think about it, this could be the problem. Maybe Biggie wasn't certain. He wasn't

[00:32:38] privy to certain information pertaining to Pac that took place with Diddy. And this is all speculation and a legend. I am speculating on a legend right here. Maybe he wasn't privy to certain information because you know Puffy Moe, Moe slithery, right? Maybe he wasn't privy to

[00:32:57] certain information and Pac thought Biggie knew. King of the Blends, I appreciate you. Maybe he thought Biggie knew. So maybe he thought, maybe he thought Biggie was team Puff and down with whatever might've taken place that was foul. So that's what drove the wedge

[00:33:28] because even after the Quad Studio thing, Biggie went to the hospital to see him. He went to the hospital to see him. So if you set somebody up to get hurt, you're going to go to the hospital

[00:33:40] and see him. He wasn't, I'm going to be real with y'all. Big wasn't no malicious dude like that. He wasn't no dude like we moved different in Brooklyn. Like we, yeah, we grimy as hell, but

[00:33:52] we don't have covert grimy shit. This is how Brooklyn is. If we don't like you, you kind of know. Did y'all notice when I don't like people, I don't act like I like them. I just be like,

[00:34:04] nah, I don't like them. That's Brooklyn. We don't hang with you all day and then do something to you at night. We not hanging with you. We not hanging with you. That's just how Brooklyn move.

[00:34:19] So I know for a fact when Pac died, he cried. When he, when, when Pac got hit up, he cried. It really, really hurt him. And he didn't understand why he was being attacked in the situation. Again, maybe it was something that took place on Diddy's side

[00:34:42] that he didn't know. And Pac maybe thought he knew and you riding for him. Cause again, I'm going to go back to against all odds, Puffy getting played like a bitch to hide that fact. He did some shitty shit in the did so we riding for that.

[00:35:06] He never dissed Biggie and again, so large. Y'all don't find that peculiar that he got this scathing dis record where he's dissing street guys who are dangerous, but he never dissed his so-called biggest rap adversary in this big song. But he dissed

[00:35:23] the executive. He dissed the label owner. Y'all don't find something strange with that. Y'all don't find something strange with that. Y'all don't say, Hmm, why did he talk about puffing that record? Hmm. That told you right there. See, I think Pac was

[00:35:50] leaving breadcrumbs everywhere, but now the vibe interview, Pac was mad at the vibe interview too, because at the end of it all, why was puff so involved with these two? These two men were

[00:36:11] homeboys. They hung together. Why was you so involved with the vibe interview about you? Did he cause he was mad as hell when you look at Pac's rebuttal to the vibe interview,

[00:36:25] he was mad as hell at puff again. You call him a thug and all that shit. He was mad as hell. I'm telling you, Big was so confused that he didn't understand like,

[00:36:41] fuck I do to this nigga respectfully. You know what I'm saying? Why was Diddy in the vibe? Why was, see again, with him being all in it, and I'm telling you Pac and Big used to be together.

[00:37:02] I'm telling you and Big couldn't drive. He couldn't drive. So you would have to take him to meet with Pac. Let's see if my man, hold on, hold on one second. Hold on one second. I could call a homie. Damn, I don't got your number in this phone.

[00:37:36] Nope. It's in the other phone. I gotta, I gotta start going live with the other phone, but yeah, it's, it was a lot of lies, a lot of deceit that took place. And I think

[00:37:57] Tupac and Biggie was casualties of greed, jealousy, and hatred. Them two young men lost their life and died as enemies when they were friends. Now, let me tell y'all something about Big. Big was very paranoid. Big was very paranoid. Big wouldn't come on my block down Fulton Street

[00:38:37] because he was kind of wild. He was there for a couple of unfortunate incidents, just being an innocent bystander. Let's just say that. So when he came to my crib, he would take Gates Avenue. Call my house phone,

[00:38:57] yo I'm coming to the crib. I ain't coming down Fulton. I'm going down Gates. This is facts. You ask anybody, this is facts. He didn't want to be around no danger.

[00:39:14] I didn't understand how the fuck was he in LA? Like, like, like who convinced him to go to LA? Who? Now this truth star coming out. So if you watch my interview with Gene Deele,

[00:39:47] which you should rewatch a lot of times, there's a lot of breadcrumbs in there too. He didn't have no money. So he got lured to Los Angeles to write Diddy album because remember, Diddy was supposed to be Biggie's first artist. Diddy

[00:40:09] was supposed to be Biggie's artist. Biggie was writing his album. So he went out there to write Diddy's album. Now he was out there for a long time. Nobody knew that

[00:40:27] he was out there. He didn't really do press. He didn't go out. I listen, I know him personally. I know he's not going to put himself in harm way. He's not going to put himself in danger.

[00:40:37] He didn't even do it in the neighborhood. So you think he's going to go to the big city and he's going to go to the backyard or somebody that he hates. He didn't hate him.

[00:40:49] Now y'all don't find it peculiar. You don't find it peculiar that where your man got assassinated, you lived there. Why does Diddy live in LA? Why does he live in LA? When I go to LA, I be like,

[00:41:33] damn, killed my man out here. It still resonates with me. Like, damn, it killed my man out here. You moved out there? Oh, really? Yeah, I don't find that strange. You know who know a lot

[00:41:59] and said nothing lately. And I know you watch me, bro. Mace, we ain't doing no DMs, Mace. It's time. We don't care about no memoir. We don't care about no record. Mace, it's time for you to set the record straight because you know something.

[00:42:21] You ain't really saying what you know, Mace. You still a bro. But Mace, you know, Mace. You was there at the end of the aftermath to all of that and you left. You left. Something spooked

[00:42:43] the shit out of you. And if you go back to 2015, you can look at my video and it says Diddy is foul but always talking about God. I did that in 2015. Everybody is giving you bits and pieces.

[00:43:02] And imagine if Gene Deal had been quiet. Really think about that because after a while, people was like, oh, I'm tired of this nigga talking about Diddy. Imagine if he had to stay quiet. He applied that pressure. He applied that pressure

[00:43:32] and revealed stuff that came to fruition. No Jaguar right shit. Gene Deal is the truth. And I've heard from people that was like, I never known him to be a liar. But imagine if he had to stay quiet. So. Do we care? Because again,

[00:44:03] we had conflict. We had conflicting thoughts at one point. We was like, yo, why? Why are they coming for him and all this? But then you start reading shit. You like, yo, then you start putting shit together. Then you start putting shit together like, yo, hold up.

[00:44:24] Did you ever see my interview with Gene where he talks about BMF and Diddy? How it happened with Wolf? I be missing a lot of shit sometimes and I don't care, you know, respectfully,

[00:44:40] I know a lot of shit be going on. I know sometimes. But yeah, listen, when I do it, please. And I'm not even tooting my own horn. Just no. Doggy Diamonds did this. Please pay

[00:44:52] attention because when I do an interview, it ain't nobody rehashed interview. I'm the first, right? And I'm going to extract information that's priceless and timeless, priceless and timeless. I sitting around rehashing people's story, not giving people credit.

[00:45:13] People sit down with me and respectfully, I think I know how to ask questions to extract information. Why? Jaguar ain't been telling nothing for decades. Please don't bring her up because she's cat. Seriously. Let me explain something to you. A broke clock is right twice a

[00:45:40] day. What about the other 22 hours? So don't don't conflate her. Please don't put her with Gene. Gene was there and he seen stuff and he walked away. He was never fired. And I'm going to make

[00:46:00] this about him. You know what I'm saying? I ain't going to make this about him, but I'd rather get somebody's firsthand account than somebody just sitting there talking that know how to talk with

[00:46:21] conviction. And I just want to have the conversation and know why. Come on, man. The theatrics. Come on. Went to fucking acting school or something like that. I'm not I'm not jacking

[00:46:35] that. I'm not jacking that. Let me get you the fuck up out of here, man. But me and Gene's going to do something again soon. Easy, Moby. Me and him, like I said, that's the big bro, me and him

[00:46:58] might sit on the phone for like two or three. The last time me and Moby was on the phone, we was on the phone for like two, three hours. And he said, yo, why you ain't put this on your

[00:47:08] show? And I was like, yo, I never thought about it. You know what I'm saying? I never thought about it. But I think more is going to come out soon. Oh, and Biggie was definitely leaving

[00:47:25] Bad Boy. Let me let me give you something to something to ponder really quick, something to ponder. Biggie didn't want to do a bunch of albums. He didn't want to do that. If you look

[00:47:44] at his interview with Joe Clay on Rap City, he said he wanted to do a few more albums, write for Junior Mafia, get on the executive side. And he wanted to do a clothing line and open a restaurant. Please go look at that interview. When he passed away,

[00:48:06] who started a clothing line and opened a restaurant called Justin's in Manhattan? Who started Sean John? Biggie already had Brooklyn Mint. Hold on, man. Hold on, because y'all going to piss me off. Not y'all, but you know.

[00:48:48] Pretty Black, I'm live on YouTube right now. I got to ask you a question from my audience. When wasn't Brooklyn Mint? Brooklyn Mint was before Sean John, right? Yes, it was. Okay. What year was y'all putting that together?

[00:49:03] Before Sean John, because this dude named Willie, you know, I used to hustle in Broadway. You remember Rockman from Cambridge, right? Right, right, right, right, right. Yeah, I was hustling with him and Dr. Dan over there. So me and Stefan, the fat brother. Burger, burger.

[00:49:23] Burger, yeah, man, Burger used to be going back and forth. So one time with the 7th Street, I went up there, I see, actually this dude came on 4th Street. So he came with a van,

[00:49:35] he came by the barbershop on St. James and he had in the van, somebody called D-Rock and they came. So the nigga, he was trying to, he was from Manhattan. So the nigga was

[00:49:45] trying to sell that shit on the street. We took all the shit from him. So that's when I went to the joint and I was selling to Willie that used to do Brooklyn Mint. So then I started fucking

[00:49:55] with him and I took, me and Stefan went there. We took about 20 shirts. I came back five minutes later, he said, Black, you saw all the shirts? That's when I had got down on him. He was doing, what's on Laura Hill and them? You said who? Lauryn Hill?

[00:50:13] Yeah, Laura Hill. He was doing the Fuji shit too. Fuji, yeah, yeah, yeah, yeah. Yeah, but Brooklyn Mint was way before Sean John. Let me see what year this was. Damn, you caught me off guard.

[00:50:23] No, why Black? Because I'm live on YouTube and I'm telling people that biggie idea was to have the restaurant and the clothing line and the nigga Puff stole that shit from him.

[00:50:31] Damn, what happened? He took all big ideas. You know what I mean? And he had to Brooklyn Mint. Black, listen, Black, I'm going to call you later. This is pretty Black. This is one of the OGs of Fulton Street. Black, what's your IG? Give them your IG.

[00:51:02] My Instagram is- Okay, I'll make sure that's in there. All right, I'm going to call you later, Black. You already know, you was on the block. That was before Sean John. Fact. No, I told him that, but I said, let me call-

[00:51:16] Everybody in Brooklyn that got a basketball tournament- Facts, facts, facts. ... all came out for the closet. So a lot of dudes is capping on the internet. They don't even know, bro.

[00:51:33] Bro, listen, now if y'all look at, his pictures are big with him and Big, but this is OG Fulton Street right here. I'm going to bring pretty Black on the platform and we're going to talk, talk, talk.

[00:51:46] Yeah, we're going to talk because we got a true story. I can't tell it at all because- Yes. ... on the radio, what's up y'all? I'm Drake. They had this thing called Hot Night Jamaica.

[00:52:09] I was mad, so I went to Jamaica. The first one they had this line, air Jamaica. They don't have it no more. I didn't even know Lisa G's, all of us was on the same plane or whatever.

[00:52:24] It was Patra, Ani Kamozy. We had some photos and stuff, but no, Jamaicans. He wanted the big pop of restaurants, but you notice that Puff had got, what's that? It was Justin- Justin's, Justin's, Justin's, yeah. Yeah, yeah. Yeah. All that.

[00:53:00] Clark Kent told the truth, but I don't even want to bring that up here now. We going to save that. Let's save that. Clark Kent told you. Black. You know, I got receipts, man. Facts, facts. Black, I'll call you later on. Peace. All right, love you.

[00:53:11] Yep, all right. Now let me tell you what his name is in my phone. Everybody know who Pretty Black is from Fulton Street. Little Kim was getting the clothes. He, listen, all, all,

[00:53:34] listen, all I got to do is go through the phone and call people. I'm telling you, I was there. I was just younger than everybody. You know what I'm saying? But I was there outside.

[00:53:46] Outside. Now I just call him randomly. I just call him randomly. Look at my baby Zuri. I just call him randomly. Yo, that's all I wanted to say. Groovy Styles wasn't even,

[00:54:12] didn't even have nothing to do with none of that. He was wearing stuff just like they was wearing Walkerwear. They was wearing a bunch of stuff. But yeah, that's Pretty Black. A first pin comment. Matter of fact, let me find his Instagram.

[00:54:35] Because y'all got to fuck, because he got all the pictures. He got all the pictures. A lot of them pictures y'all be seeing on, that y'all be seeing on a lot of these, on these.

[00:54:52] Here we go. Here we go. I'll show y'all his. When you follow him, tell him that I sent you the OG right here. Look, Pretty Black. This is Nelda. Rest in peace to Nelda. Him and Jadakiss.

[00:55:19] Any of these old pictures that you be seeing on stuff. Look, here we go right here. Throwback Thursday. Sleep in peace, Big. Them chumps came after the fame. That's him and Big. Big had on Karl Kanar right there. So I'm going to call people that could

[00:55:42] rarify. Look at the old pictures. Nelda was a staple in our neighborhood. She was the original before Lil' Kim fly, getting money, jewelry. That was Nelda. Rest in peace to Nelda.

[00:56:09] So a lot of people be capping and a lot of people be talking, this, that, and the third. They be lying. Oh, you seen him in video with AA? That's the hood. AA, we all listen. We all from

[00:56:25] the same neighborhood. All of us. You know what I'm saying? All of us from the same neighborhood. So I ain't mean to bore y'all tonight, but I wasn't even going to go live. I got coached

[00:56:38] into going live tonight. No pun intended. And I just had to give y'all some of this truth because Nelda is in run. Damn, Mr. Warbucks, who the hell are you? You got it. I know. I don't know who you are. She is in Run's house video. Mr. Warbucks,

[00:57:02] you from around the way? You just said Nelda was in Run's house video. You gotta be somebody from around the way. I knew Big when he was Fat Chris. Yes, definitely. It was three Chris in the hood.

[00:57:16] We had Country Chris, who was from out of town, who's locked up right now. We had another dude named Chris that lived on my block. Okay, here we go. Pretty Black just sent me that. Anyway, so he said, he sent me that bro. So we had three Chris.

[00:58:02] We had Country Chris. We had another dude named Chris who lived on my block. When he talked, he used to have like mad saliva in his mouth. So we called him Slabbermouth Chris.

[00:58:13] And then we had Fat Chris. It was three Chrises. That's how we differentiate them because it was three of them. We got Country Chris, Slabbermouth Chris, and Fat Chris. Hold on. Now I'm going to call somebody else random real quick.

[00:58:29] Watch this. Watch this. Y'all know all I'm doing is finding the number. I could show y'all at the same time. I'm not texting nobody. I'm just finding the number. Hopefully you pick up.

[00:58:43] He probably asleep. Got work in the morning. Yo, I'm live on YouTube. So we had three... How many Chrises we had in the neighborhood? I just told you the answer, but you already know. Yeah, three. Fat Chris, Country Chris, and Slabbermouth Chris.

[00:59:12] I'm live on YouTube. I just told him that. But see, you know, it's so many liars that I be calling people live to verify what I be saying because we don't lie. But

[00:59:24] I just like to do that just for... Because I just call Pretty Black live. And he was like, Puffy stole all the Biggie ideas. But I had told them that. And you know, I don't really speak to

[00:59:33] Pretty Black all the time. And he said that live on the camera. You know what I'm saying? So he was like, the Brooklyn Mint in the restaurant thing, Big already wanted to do

[00:59:44] the restaurant and all of that. So Puffy stole all of my ideas from him. But yeah, we had three Chrises. And who was who? Name who the Chrises was. Well, Slabbermouth Chris was author Waverly.

[01:00:00] Country Chris. I forgot what block Country Chris was from, but he used to hang on Waverly. And Fat Chris was from St. James, but hung out on Waverly because everybody used to be on Waverly. So Fat Chris became who? Biggie.

[01:00:16] Slabbermouth Chris lived down the block. Remember he lived on... Yeah, that's what I'm saying. He was off Waverly. Yeah. Oh, you're right. That's right. He's called Parker now. Parker. Exactly. We go by the name Parker now.

[01:00:26] Yeah, we call him Parker now. And Country Chris is still locked up OT since like the 80s. Right, right. Right. I mean, that's a story. I mean, I don't know how folks could doubt it when you got so much

[01:00:42] evidence. You got Kim saying that the very first time she ever said a rap was in your crib. First time she ever recorded was with you. Then you also have the picture that everybody see of Big and Oli. They cropped out, but you're in the picture. Right.

[01:01:01] You're in the picture. It's Big, Oli, You, Supe, Jay, Nino, Tucker, a few other people. Damn, and a lot of them is deceased. Damn, I didn't even realize Tucker was in there. Yeah, that's Tucker crouching down in an Army fatigue, in her own green Army jacket.

[01:01:21] And Honeyman said he took the picture. Honeyman told me he took that picture. Okay. Yup, Honeyman was like, yo, I'm the one who took the picture. Oli Big Brother. Right, Oli Big Brother. So missing you, Oli, that he talked about his man O,

[01:01:36] that's Oli. He's in that picture too. It's a story to tell documentary. Right. About like the relationship between Big and O. Right. And if y'all don't know, Tad has a podcast called the OG Wisdom Podcast that's

[01:01:49] on YouTube as well. And his podcast partner is C. Gutter. So if y'all don't think... The real C. Gutter. The real C. Gutter. So if y'all don't think we all intertwined, y'all are crazy.

[01:02:01] So again, I'm not going to get up on here and cap, but we're going to dispel a lot of stuff that a lot of people have been saying, because it's definitely going to happen. You know what I'm saying?

[01:02:14] And you told a story, you said I was in a little room and you said I told you everything that I was going to do. How old was I? I don't know, about 15, 16. I don't know, it's teenagers.

[01:02:32] Because they be saying I'm 50 years old, but I be trying to tell everybody I'm younger than everybody. Like I am the youngest. I am the youngest. I didn't hear it. That is because you know what's so funny? I saw somebody recently and

[01:02:44] it was like, yo, I didn't know Toby was a fan. I said, y'all keep forgetting he's younger than me. Right. He's younger than me. I said, and when we was wilding, he was in the studio. Yep.

[01:03:02] I said he was honed in the craft, you know, and I think people miss the value of that because as everybody get older, they look at their life like, damn, where did the time go?

[01:03:15] But I mean, your credential and your cultural impact on the whole joint should speak volumes. Right. Because it ain't cap. You was there. Right. Came in through the door with track masters. Right. Like literally. 15, yeah. When most people don't even know what track masters look like.

[01:03:32] Right. And I tell people it's four of them. Right. Hold up. Who put the studio? Who put my studio together? It was it wasn't Tony. It was was it Frankie or. It was both of them was Frankie and Pokey. Right. Frank and Poke.

[01:03:49] And what Poke had on him that twisted us? Yo, he had the thing on his wrist. He's like, hold on, yo, you the police? Word. So I was like, nah, he said, yo, I got this legit. He said, once you own the business and

[01:04:03] carry a certain amount of money, you can get a license to carry. Right. It's like, wow, we didn't know that. And this is that's 94. Yeah, that's 94. Yeah. Nah, I think it was. What was it? 93. It was 90. It was 90. Yeah, it was. Yeah, it was 993. Yeah. Like 92, 93. Yeah.

[01:04:23] Now, now tell the people if you can. What was big coming to the crib before I had the studio? What was I doing for him? And on the two, he came when you got the 1200s. The 1200 Technics 12s.

[01:04:41] And look, this is before he even had a deal because we just knew he was going to be big because when you was cutting the way he was saying this shit is dope was he just had that

[01:04:52] rhythm. I mean, the world finally got to see what we saw and grew up with. Right. Talent that he had when you was taking him to shows. I just told him that earlier. I said the limo used to come get me and I used to go get him.

[01:05:08] I mean, Nino can attest to that. Nino Brown can attest to that. This is what I'm saying. Because a lot of people don't know as silent as he is, he was there for everything. He was there for everything. Look, Big said, ask Nino, he know. Yep, yep.

[01:05:21] You know. But I know you got to you got to get up in the morning and shit on my holler at you later on. No doubt. I don't. So if you don't know, that's my first cousin. Born and raised in the black still. Damn, I started pretty black.

[01:05:38] He going to be talking to me all night now. But pretty black going to hit me with all these receipts. You're going to hit me with all these receipts. That's Brooklyn man again. He had everything. You know what I'm saying? I was on the block.

[01:06:09] I was there on the block when he met Pac. That's what pretty black is telling me. When he met Pac, because I told you my man, Henny Lokes brought him through. That simple. Yeah. So I ain't y'all man.

[01:06:35] I mean, to keep you all all night and tell you all these long stories. But I need to do a documentary myself because I got a lot of stories. But it's good story, some bad stories, some horror stories. But I was there as a little kid. There.

[01:06:54] Know what I'm saying? Like I was really, really there. And I do this from time to time to separate myself, to differentiate me from other people. Because, you know, a lot of people can sit in a space and do this. But I was really there.

[01:07:09] And I ain't got no horror stories where anybody accosted me or did anything to me. I was just there while in as a little dude. You know what I'm saying? I was there. So I seen the beginning of everybody's career, especially Foxy Brown, Lil' Kim. I was there.

[01:07:32] Biggie, Junior Mafia. Tech used to come to my crib every day. Tech introduced me to Resident Evil. Rest in peace, my brother Sean Price was in the crib. Aguilar was there. Hold on. Let me see if I got Aguilar on there. But I ain't going to call him.

[01:07:46] But again, you know what I'm saying? That's it, man. Just know, Doggy Diamonds did this. I'm not some YouTuber. I'm not some guy in Utah. I create content. This is content. Please share this video. Please hit the like button.

[01:08:03] Please go look at a lot of the older videos. Just scroll through and then look at the videos that I just released. I'm releasing more. I got eight more. A.A. Rashid. I just put up a Spado video. I got Lil' Kim in the hood.

[01:08:21] I got Nori, me and Nori. Look, I'm telling y'all what I'm doing, just ride with me. Just enjoy this journey because I'm going to be able to really, really document and show you stuff from the culture. You know what I'm saying?

[01:08:38] Now, I didn't know no Rochelle that she lived on Fulton in the 80s, dated Oliver. Only one I knew Rochelle was my Aunt Rochelle. She had a brother, my Uncle Juney and her grandmother, Miss Wiltshire and my cousin Will. That's the only Rochelle I knew from the hood.

[01:08:59] You know what I'm saying? So if y'all could get them likes up. We had over 900 people in the room. I am Fulton Street to the core, Waverly and Fulton with political ties with Staten Island as well. That's why I was able to shoot the Winter War video.

[01:09:19] That's why I did the Milk the Cow video. And that's why I got a lot of Wu-Tang content coming soon. As you can see what this tape say. You can see what that say. This is a mini DV.

[01:09:38] You put it in a camera and you put it on the thing. On the thing. So yo, it's a lot going on, man. Everybody who sent me a super chat, I appreciate you. Everybody sent me a cash app, I appreciate you. This is very impromptu live.

[01:09:53] The methadone clinic is on, that's my block. The methadone clinic is right there, Waverly and Fulton. I didn't know Dexter Isaac is an OG. I didn't know Dexter, but he did live in, he is, he was in the hood, but I didn't know

[01:10:09] him because some of them are old. Like I said, I'm the youngest. You know what I'm saying? I'm the youngest. So I was around a fly on the wall, Pretty Black might be in his 60s. Tad is in his 50s. I'm the youngest. You know what I'm saying?

[01:10:28] I was just the youngest dude who was always in the studio. And when they was wilding, I would come out and wild out and go back in the studio. But my thing was to practice on the turntables every day. That's what I did every day.

[01:10:41] Hold on, let me see something else. That's what I did every day. I just practiced on the turntable. You know what I'm saying? That's why I'm here today. That's why I'm able to document the culture and I respect the people who came before me, like Ralph McDaniels.

[01:10:57] I always praise and show Ralph McDaniels love and a lot of respect because although we don't do the same thing, he inspired what I do. I just was able to do it digitally. You know what I'm saying? So yeah, these dudes is way older than me.

[01:11:20] And I don't know, again, because maybe I've been around so long, maybe because my soul is old, people be like, yo, ain't you like 50 something? No, I'm actually not. No, I am the youngest. You know what I'm saying? I am the youngest. So I appreciate y'all, man.

[01:11:42] Make sure you shop.doggydiamondstv is the merch. I'm working on a lot of stuff. Please bear with me. I'm putting out content like this every day. So if you're not subscribed, make sure you subscribe. Make sure you... I see the subscribers going back up. Everything is looking great.

[01:12:02] So I appreciate y'all, man. I appreciate y'all. I can't say it enough how much I appreciate y'all. And thank you, Tory and Howard. Thank you. You know what I'm saying? And that's what it is, man. Yo, I don't even know what else to say.

[01:12:20] I just want to hear my intro beat one more time too, if I could. One more time. I love this. Hold on, hold on. I just had to hear that. It's maybe a couple of bars. Gotta subscribe. Make sure you subscribe. And remember... Hit the like button.

[01:12:40] Make sure you subscribe. This is Doggy Diamonds, man. If you appreciate what I do, if you appreciate how long I've been in the culture, giving you culture, giving you quality interviews, please support. Remember a lot of these dudes are carbon copy. I don't have to disrespect nobody.

[01:12:57] The proof is in the pudding. You know what I'm saying? I'm really of this, really from this. You know what I'm saying? So yeah, I come from the turntables. Remember he said, I was in the crib on the turntables. You know what I'm saying?

[01:13:11] I was always on the... I was always... That's where I come from. Thank you, Henry Blanco. That's Henry Blanco. If y'all don't know, he used to always be in the room. Thank you, bro. You know what I'm saying? For supporting my independent voice. So I gotta go.

[01:13:23] Let me get back to editing. I could show y'all... This is what I was doing on the other screen. So let me show y'all something really quick. This is the other screen. This is the Nori content that I had. So I was here, I gotta put the logos.

[01:13:39] I gotta change. I did a new intro for y'all. This is the new intro. I just did this. This is a new intro. That's the new intro. Of course, this outro is different though. I want y'all to know that this outro is different. The beat is different.

[01:14:02] I use a different part of the beat for the outro. So check this out real quick. So I'm sitting here. As you can see, all of this, I'm lining all... I gotta line all this up. So I'm actually here editing.

[01:14:20] And then you can see I did the artwork for today. You know what I'm saying? This is the artwork that I did. So I'm here on Photoshop, also on Sony Vegas editing. And then I'm on a program going live for y'all.

[01:14:35] So again, yo, I work, work, work, work very, very hard to make this happen. So again, and I do all my own graphics. You can see me on Photoshop. You can see me doing a lot of stuff. You know what I'm saying?

[01:14:51] So yeah, I work a lot and I work hard. I walk four miles today. I'm at... Let me see. Let me tell you how many steps I did today. Oh, I did 11,000. Hold on. Let me see if I can show y'all.

[01:15:08] And I had to take the watch off for a little while because I got a shower, of course. So man, yeah, I did 11,700 steps today. You know what I'm saying? I walked. So yeah, I don't be playing. I'm not playing. I didn't come here to play.

[01:15:31] So sometimes when you see me being serious a lot, I like to do things in jest, but I don't be playing. This is serious business. I take this serious. And you could tell in my output and my work, I take this serious.

[01:15:43] So let me get back to editing. Make sure you follow me on all social media. Make sure you follow the Doggy Diamonds TV Instagram page. A lot of stuff going on there. Doggy Diamonds TV Instagram page. Yo. Yeah, that's it. I'm out. Until next time.