In this episode of Doggie Diamonds No Filter, we dive deep into why many artists aren't selling as well as they used to. Is it the music or the lack of meaningful hip-hop interviews? Join the conversation as we explore how interviews have changed and what needs to be done to bring back the authenticity that once fueled the culture.
[00:00:00] Doggie Diamonds No Filter.com is the official website of Doggie Diamonds. On there, you might find content that you miss. This is not a website with me on there, my Instagram or just posing or anything. This is strictly content. Doggie Diamonds No Filter.com is a content website. It's not my bio and all that other stuff. So you can go there daily and, you know, see content that you might not have saw, hear audio podcasts that might have went past you.
[00:00:30] All of that is on Doggie Diamonds No Filter.com. Also my social media sites. Everything is on there. Listen, in this promotion that I have, have you heard about my $100 promo deal? This might be able to help your project or whatever you're doing. Let me give you some details really quick.
[00:00:44] So the promotion will be done on Doggie Diamonds TV as well as the Interlude TV on the Insta Stories YouTube community threads on the Facebook account and the Twitter accounts. That's about nine, 10 accounts. But this is for serious inquiries only.
[00:00:59] You must be cash at ready and I can help you bring more awareness to your products. Whether it's your movie that you got coming out, whether it's your Facebook, whatever it is that you want to promote, I can help bring awareness on all my social media platforms for only $100. Let's go.
[00:01:21] Yo. Yo. Yo. Doggie Diamonds did this. Yes, that's a fact. He did do this. He did do this. Okay, shout out. Check Vids Online. Checking Vids Online. I always mess your name up. Checking Vids Online. Shout out to Black Dot. That's the homie right there.
[00:01:38] Big Marl. Elmatic. I see you. Carlos Hernandez. Heritage Hip Hop. Philly Sheed 01. That's a day one supporter.
[00:01:47] Vassar and Green. Yes. Unpopping opinions. I see you in the building. Make sure you hit the like button. It's very, very, very important.
[00:01:55] April Brown. I see you. Thanks for being a supporter, April Brown.
[00:01:59] Vera Mickey. I see you. For my members on my page, I got something exclusive that I'm going to upload tonight.
[00:02:08] Let me upload it tonight. And I'll give you some details on that. Yes.
[00:02:13] So what I'm going to upload to my members is a special course on how to optimize your YouTube page.
[00:02:22] Yes, I did a whole course that I'm selling, but my members get it for free.
[00:02:28] Yes. My members get it for free.
[00:02:32] But I'm selling it. And it might cost you a little, might cost you a lot.
[00:02:37] But the members get it for free because they're members.
[00:02:42] Yes. Rochelle Love, I see you. Herbert Moore, I see you.
[00:02:47] What's up? Make sure you hit the like button. The like is essential.
[00:02:52] Malcolm Madkins. What's up?
[00:02:57] Yes. Sometimes I'll be jamming to my own music that I don't know what to do.
[00:03:05] I got to chill sometimes. Sometimes I just get caught up in the beat.
[00:03:09] In the music.
[00:03:11] But the members will get this content.
[00:03:15] Mickey Knox, what's up?
[00:03:16] So again, what I'm going to upload is how to optimize your YouTube channel step by step.
[00:03:26] It's about a 25 minute video.
[00:03:30] Step by step.
[00:03:34] Shout out to General Steel of the legendary group Smith & Wesson
[00:03:40] For reminding me that I produced a record for them.
[00:03:44] Talk show The Visionary.
[00:03:47] I've no idea production for people, but I be forgetting sometimes.
[00:03:51] So Steel just posted it on his Instagram today and I was like, damn, I forgot.
[00:03:56] I remember sometimes.
[00:03:58] Mega Bills, what's up?
[00:04:00] I be forgetting that I'm a dope, dope music promoter.
[00:04:04] As well as a dope, dope music producer sometimes.
[00:04:06] I be forgetting.
[00:04:08] Bernadette Bernie, what's up?
[00:04:10] So, how's everybody doing?
[00:04:13] Hopefully everybody is doing well.
[00:04:15] Came on here on a late night.
[00:04:16] The 7.30 thing ain't going to work for me because it's not really...
[00:04:20] It's clashing with the audience.
[00:04:22] You know, some people, 7.30 is too early on the West Coast and too early on the East Coast.
[00:04:27] So, I got to go late.
[00:04:29] Do lives later.
[00:04:31] When everybody do their little shows and stuff, I like to play clean up for the night.
[00:04:35] When you finish watching a lot of that filth that be going on, you get to come chill with a real one on a late night.
[00:04:41] So, this is why I come on live.
[00:04:43] Then I be having a lot of other stuff I'm doing.
[00:04:46] Exercise.
[00:04:47] Man, you know me always exercising.
[00:04:49] So, it be clashing.
[00:04:50] Then I be up all night.
[00:04:52] Then my sleep be compromised.
[00:04:53] I just got a lot going on that I'm trying to fix.
[00:04:57] But it's working.
[00:04:59] So, how's everybody doing?
[00:05:00] Hopefully everybody is doing well.
[00:05:05] See the title.
[00:05:09] I believe that I'm qualified to speak about the title.
[00:05:14] And I think it's time that somebody speak on what's going on in the state of their favorite word.
[00:05:21] The culture.
[00:05:22] So, we're watching these artists that get all of this play on social media.
[00:05:31] Mass amount of followers.
[00:05:38] A lot of things they do go viral.
[00:05:41] We talk about the Lottos.
[00:05:44] The Sexy Reds.
[00:05:48] And others.
[00:05:50] Even Ghostface dropped an album with Nas.
[00:05:52] Did y'all know that?
[00:05:53] He dropped an album on Mass Appeal a few months back during the height of the Kendrick and Drake feud.
[00:06:03] He dropped the album Ghostface Killer of the legendary Wu-Tang Clan.
[00:06:09] Dropped an album.
[00:06:12] Did you know that?
[00:06:17] Lotto.
[00:06:18] Selling very, very low.
[00:06:21] Nice looking young lady.
[00:06:26] Many people like her sex appeal.
[00:06:28] Many people think she can rap.
[00:06:32] Sexy Red.
[00:06:33] Dropped the project.
[00:06:36] Project did so bad.
[00:06:41] They had to cancel her tour because the tickets wasn't selling.
[00:06:45] So, these are people that we see.
[00:06:48] And there's always something about them in media.
[00:06:51] But for some reason.
[00:06:53] When we see them.
[00:06:55] We see them.
[00:06:59] But they're not on there selling personality.
[00:07:02] They're not on there selling box per se.
[00:07:05] The goal is to sell music.
[00:07:09] That's why they're rappers.
[00:07:11] Because if you're not a rapper, just do OnlyFans.
[00:07:16] How is it somebody legendary?
[00:07:19] That was a part of so many historical records.
[00:07:22] Like a Ghostface Killer.
[00:07:23] Nobody knows he did an album.
[00:07:28] Leah, shout out to you.
[00:07:30] Disrupting Reality NYC.
[00:07:32] I see you in the building as always.
[00:07:36] When we see these artists doing press.
[00:07:42] One thing we never hear about is the music.
[00:07:48] We hear about everything.
[00:07:49] We hear about who they beefing with.
[00:07:55] Who's smashing.
[00:08:00] Anything that they're going through.
[00:08:03] But the music.
[00:08:04] Who they dating.
[00:08:05] Who they smashing.
[00:08:06] Who they dating.
[00:08:07] The children.
[00:08:09] So what's happening now is that.
[00:08:12] The music is taking a backseat.
[00:08:15] To why you're there.
[00:08:16] Because I'm going to be real with you.
[00:08:18] I don't care who you smashing.
[00:08:20] I don't care about your street cred.
[00:08:22] I don't care about if you've been to jail.
[00:08:25] I don't care about you being a custody.
[00:08:27] I don't care about none of that.
[00:08:29] If I look at you as an artist.
[00:08:32] An artist first.
[00:08:35] When do you discuss the art?
[00:08:39] They never discuss the art.
[00:08:43] They'll say.
[00:08:44] Yeah I got this one.
[00:08:45] It's so bad that people are still saying.
[00:08:47] They're dropping a mixed tape.
[00:08:51] A mixed tape.
[00:08:52] I'm about to drop this tape.
[00:08:57] The audience.
[00:08:59] And if you're somebody like me.
[00:09:00] That's a creator.
[00:09:01] The audience.
[00:09:02] The audience.
[00:09:03] Really loves the creative process.
[00:09:05] For example.
[00:09:06] Let's take a Ryan Leslie.
[00:09:08] You remember like eight years ago.
[00:09:11] Or longer.
[00:09:12] It definitely was longer than eight years ago.
[00:09:14] When Ryan Leslie was showing the making of Diamond Girl.
[00:09:18] And all these records.
[00:09:19] And he was in there.
[00:09:20] He had you.
[00:09:21] Even if you didn't know how to do music.
[00:09:22] You were so inspired.
[00:09:25] By his creativity.
[00:09:27] When is the last time you saw that?
[00:09:29] When is the last time you seen somebody in the studio?
[00:09:33] Somebody talking about the art.
[00:09:35] Somebody talking about the creativity of the music.
[00:09:38] And you might get it here.
[00:09:40] Tools and fuels scattered.
[00:09:42] But overall.
[00:09:44] We talking about YG.
[00:09:46] And Sweetie.
[00:09:49] Who was also with Quavo.
[00:09:54] We talking about pass around.
[00:09:56] We talking about community.
[00:09:58] Dudes who smashing up everything.
[00:10:01] We don't hear the music.
[00:10:03] We don't hear about the music.
[00:10:06] We talking about who got beef.
[00:10:08] Who's spinning the block.
[00:10:12] And that's why.
[00:10:15] Nobody.
[00:10:16] Is really selling anymore.
[00:10:18] Because the last thing we hear about.
[00:10:20] Is the music.
[00:10:21] We don't even know you got an album out.
[00:10:22] We don't even know you working on stuff.
[00:10:24] And they like to say.
[00:10:26] I'm going to put them out there right.
[00:10:28] One time I hit.
[00:10:31] Dink O.D.
[00:10:33] From the legendary group.
[00:10:35] Well.
[00:10:36] Subjective.
[00:10:39] Leaders of the New School.
[00:10:40] I hit Dink O.D.
[00:10:41] I got his number.
[00:10:42] I was like.
[00:10:42] Damn.
[00:10:43] Dink O.D.
[00:10:43] I would love to interview him.
[00:10:45] I reached out to Dink O.D.
[00:10:46] I said.
[00:10:47] Hey.
[00:10:47] You know.
[00:10:47] My name is Doggy Diamond.
[00:10:48] It's the senator.
[00:10:49] We spoke on the phone.
[00:10:50] I said.
[00:10:51] Yo.
[00:10:52] We should do.
[00:10:53] An interview.
[00:10:55] He says to me.
[00:10:58] Well.
[00:10:59] I only want to do an interview.
[00:11:02] When I got a project coming out.
[00:11:06] So if you're somebody legendary.
[00:11:08] In the culture.
[00:11:09] And you like to think of yourself as legendary.
[00:11:12] Or whether you don't.
[00:11:12] It might be some people who think you're legendary.
[00:11:14] For your.
[00:11:17] Contributions.
[00:11:18] To the culture.
[00:11:20] What is this old school way of thinking that.
[00:11:23] I got to have a project coming out.
[00:11:24] Before I talk.
[00:11:28] You don't do shows.
[00:11:32] You still have.
[00:11:34] A catalog.
[00:11:36] That I'm pretty sure that.
[00:11:37] As the catalog.
[00:11:40] Streams.
[00:11:41] Because if you say one thing or two.
[00:11:42] About the catalog.
[00:11:43] That goes viral.
[00:11:45] There goes your streams.
[00:11:46] Is that not money?
[00:11:48] And I'm not trying to be disrespectful.
[00:11:49] I'm just stating some facts.
[00:11:51] So I seen something with Dink O.D.
[00:11:54] Performing on.
[00:11:57] Instagram.
[00:12:01] And it might have been.
[00:12:03] A little bit of people there.
[00:12:06] Wasn't a lot of people.
[00:12:08] So I'm like.
[00:12:11] Here it is.
[00:12:13] I wanted to help put you out there.
[00:12:16] In front of people.
[00:12:16] So they could know who you are.
[00:12:18] And what you did.
[00:12:18] And you're talking about a project.
[00:12:22] What project?
[00:12:24] Let's talk about what you previously did.
[00:12:27] Let's.
[00:12:29] Give the history.
[00:12:31] To qualify you for a project today.
[00:12:35] Because if we don't know.
[00:12:36] What you did before.
[00:12:39] Why would people care.
[00:12:41] About what you're doing now.
[00:12:45] So imagine.
[00:12:48] In said interview.
[00:12:49] Dink O.D.
[00:12:50] Was like.
[00:12:51] Buster didn't know how to start the scenario.
[00:12:54] So I went up to him.
[00:12:56] And I was like.
[00:12:57] Yo.
[00:12:58] As I combine.
[00:12:59] All the juice from my mind.
[00:13:01] So.
[00:13:02] When we hear stories like that.
[00:13:04] It makes us appreciate the art.
[00:13:06] And the culture again.
[00:13:09] So what's happening.
[00:13:13] We're not hearing about the music.
[00:13:16] So.
[00:13:18] Being that we don't hear about the music.
[00:13:20] When it comes out.
[00:13:21] We don't care.
[00:13:23] Some people.
[00:13:24] They be doing interviews.
[00:13:26] I don't even know if they rap or not.
[00:13:28] So.
[00:13:29] Respectfully.
[00:13:30] And I'm not dissing no platform.
[00:13:31] But when I see some of these people.
[00:13:33] I always say.
[00:13:35] What did this dude do?
[00:13:38] So he's on here to say.
[00:13:40] He's from said place.
[00:13:42] And he got beef or such and such.
[00:13:43] Does he rap?
[00:13:46] Do this nigga sing?
[00:13:48] Do this nigga fry chicken?
[00:13:50] Like what the fuck does this nigga do?
[00:13:52] Why is he even getting interviewed?
[00:13:55] Throughout the whole time.
[00:13:56] You never heard anything about music.
[00:14:01] As for me.
[00:14:02] I love the idea of creative process.
[00:14:04] I love the fact that.
[00:14:06] Many of us have a lot in common.
[00:14:07] So when a person say.
[00:14:08] Hey man.
[00:14:09] I go into the studio.
[00:14:10] You know.
[00:14:11] I light some incense.
[00:14:12] You know.
[00:14:13] I make sure I got a gallon of water.
[00:14:15] A lot of times.
[00:14:16] We like to hear that.
[00:14:17] That means a lot to us.
[00:14:18] Because it makes us relate to you.
[00:14:20] But.
[00:14:21] The fact that.
[00:14:22] Who you got beef with.
[00:14:23] It just became one big gossip show.
[00:14:26] No matter what interviews.
[00:14:28] I've ever done with somebody.
[00:14:30] I always talk about the music.
[00:14:33] The creative process.
[00:14:35] The back story of the music.
[00:14:36] And I don't really hear that no more.
[00:14:38] We hear it every now and again.
[00:14:40] But the way people pose questions to people.
[00:14:43] It's always for a headline.
[00:14:44] It's always for beef.
[00:14:45] So now we know you about beef.
[00:14:48] But we don't know nothing about your music.
[00:14:50] For example.
[00:14:52] I always was supposed to do an interview.
[00:14:53] With Lars Professor.
[00:14:54] For some reason.
[00:14:55] Whatever reason.
[00:14:56] It never took place.
[00:14:57] Right.
[00:14:58] I used to see Lars.
[00:14:59] Walking around my hood.
[00:15:01] We used to bump into each other.
[00:15:03] Grocery store.
[00:15:03] Yeah.
[00:15:04] We gonna do it.
[00:15:04] We gonna do it.
[00:15:05] We gonna do it.
[00:15:06] We never did it.
[00:15:08] So.
[00:15:09] He ended up doing an interview with Vlad.
[00:15:12] That shit used to bother me a long time ago.
[00:15:14] Like when I used to see people.
[00:15:16] That I knew in the street.
[00:15:18] Not from the street.
[00:15:19] Or any street.
[00:15:20] But I saw you face to face.
[00:15:22] Standing right here.
[00:15:23] And I know said person might have DM'd you.
[00:15:25] And you went and do an interview with me.
[00:15:27] But you didn't do an interview with somebody that was in your face.
[00:15:30] Now let's think.
[00:15:31] Lars Professor to me.
[00:15:32] Is a legend.
[00:15:33] Lars Professor taught a lot of these.
[00:15:35] Your favorite producers.
[00:15:37] And gave them techniques.
[00:15:38] This is a fact.
[00:15:40] So what I wanted to put into perspective is.
[00:15:43] Lars Professor is bigger than.
[00:15:48] Nas producer.
[00:15:49] That's.
[00:15:50] Kind of shrinks him.
[00:15:54] No diddy to me.
[00:15:55] That's disrespectful to say.
[00:15:58] He's just not this.
[00:16:00] Nas this.
[00:16:01] Right.
[00:16:01] So.
[00:16:03] I felt like.
[00:16:04] He got asked 900 Nas questions.
[00:16:07] But not one main source question.
[00:16:11] Not one production question.
[00:16:13] It was all about Nas.
[00:16:14] Nas this.
[00:16:15] Nas this.
[00:16:16] Nas that.
[00:16:18] Nas.
[00:16:18] Leaving that interview.
[00:16:20] I didn't even know who this guy was.
[00:16:22] Guy was.
[00:16:23] So if I was a 22 year old.
[00:16:24] And I see Nas in the title.
[00:16:26] I might be.
[00:16:27] You know.
[00:16:27] Dudes know how to sensationalize the title.
[00:16:29] So you might go there.
[00:16:31] You know.
[00:16:32] And listen to it.
[00:16:33] Well who is this guy?
[00:16:35] Oh he produced for Nas?
[00:16:36] What he produced?
[00:16:37] Shit.
[00:16:38] Some people might not even have been born.
[00:16:40] When he did halftime.
[00:16:42] And when he did.
[00:16:43] It ain't hard to tell.
[00:16:44] They might.
[00:16:45] Never.
[00:16:46] They might not even been born.
[00:16:47] They could have been jiggling around.
[00:16:48] And they daddy nuts around that time.
[00:16:51] So.
[00:16:53] If he went there.
[00:16:54] And you just got asked about Nas.
[00:16:56] Nas.
[00:16:57] What does that say about you?
[00:17:01] But I wanted to put him.
[00:17:03] In the proper perspective of.
[00:17:05] Okay.
[00:17:05] You're an incredible DJ.
[00:17:06] You're a producer.
[00:17:08] What was it like when you did this record?
[00:17:10] What was this like?
[00:17:11] What was.
[00:17:12] What was the mind frame?
[00:17:13] You was.
[00:17:15] In main source.
[00:17:18] Looking.
[00:17:19] You did classic records.
[00:17:20] Looking at the front door.
[00:17:21] Classic.
[00:17:22] Faking a funk.
[00:17:24] Classic.
[00:17:25] I like friendly game of baseball too.
[00:17:28] Live at the barbecue.
[00:17:29] Which introduced.
[00:17:30] An artist by the name of Nasty Nas.
[00:17:32] And Akineli.
[00:17:34] You did Akineli's whole project.
[00:17:37] Vagina Diner.
[00:17:39] A lot of people don't know that.
[00:17:41] And that's talking about.
[00:17:44] The music.
[00:17:45] That's talking about.
[00:17:47] The creativity.
[00:17:49] Of the music.
[00:17:51] Instead.
[00:17:52] You ask him all about Nas.
[00:17:53] What does that have to do with him?
[00:17:56] We look at the breakfast club.
[00:17:58] A lot of artists go on there.
[00:18:01] Don't talk about the music.
[00:18:03] Oh.
[00:18:04] Streets of New York.
[00:18:04] See.
[00:18:05] We not even going to talk about the G-Rap production.
[00:18:07] And the.
[00:18:07] And Rock Him production.
[00:18:10] But Streets of New York alone is.
[00:18:14] Anyway.
[00:18:19] So these guys.
[00:18:21] I don't know what they think about me.
[00:18:25] Maybe because I'm opinionated.
[00:18:27] They don't like it.
[00:18:28] I might have said something about one of their friends or whatever.
[00:18:30] I don't know.
[00:18:32] I might have had an opinion.
[00:18:34] On hip hop.
[00:18:35] That they didn't agree with.
[00:18:37] So.
[00:18:37] They don't want to.
[00:18:40] Do interviews with me.
[00:18:41] That's fine.
[00:18:42] It don't matter.
[00:18:44] Never chased anybody for an interview.
[00:18:45] I never asked three times.
[00:18:47] Might have asked once.
[00:18:48] You were too busy.
[00:18:49] I reminded you.
[00:18:51] But you ain't busy.
[00:18:54] Three times.
[00:18:56] I'd have been busy twice.
[00:18:58] But you ain't busy three times.
[00:19:00] By the time you got the second message.
[00:19:02] I got your message.
[00:19:03] You didn't want to do it.
[00:19:04] That's fine.
[00:19:05] I go for anybody.
[00:19:08] But I find when these guys do these interviews.
[00:19:12] They call us these publications.
[00:19:16] That I be like.
[00:19:16] Who the hell is this?
[00:19:20] This is a PR interview.
[00:19:22] This is a favor.
[00:19:23] Like what is this shit?
[00:19:26] So we got the Bobby chick.
[00:19:30] Whoever that little young lady is.
[00:19:39] And she's interviewing people.
[00:19:41] And it's so boring.
[00:19:43] And what are they even talking about?
[00:19:46] I'm saying to you artists.
[00:19:48] You're doing yourself a disservice.
[00:19:50] By sitting down talking about shit.
[00:19:52] That has nothing to do with your music.
[00:19:54] Because if you're an artist.
[00:19:55] We don't care about none of that other shit.
[00:19:57] I'm telling you.
[00:19:58] Because what happens is.
[00:19:59] We get to know your life.
[00:20:01] We get to know everything.
[00:20:03] All this shit about you.
[00:20:05] Then when you put out your project.
[00:20:06] Oh you rap?
[00:20:08] I didn't know you rap.
[00:20:11] Remember Tiana Taylor.
[00:20:12] This girl had a sweet 16.
[00:20:14] When my sweet 16 was popping on MTV.
[00:20:17] And I was like.
[00:20:19] She signed a Star Trek?
[00:20:21] What did she do?
[00:20:24] Oh they said she's a choreographer.
[00:20:28] So why is she signed as an artist?
[00:20:31] We never knew.
[00:20:33] So then when she put out her music.
[00:20:35] She starts saying stuff like.
[00:20:38] She was on good music.
[00:20:40] And Kanye didn't promote it.
[00:20:42] And all that.
[00:20:43] No.
[00:20:43] You didn't promote it.
[00:20:44] Because we didn't even fucking know.
[00:20:55] And having kids.
[00:20:57] And you allegedly eating box.
[00:20:58] And all this other shit.
[00:20:59] We didn't even know you sung.
[00:21:01] Not once do you sit down and say.
[00:21:04] Hey.
[00:21:04] This is what I do.
[00:21:06] I do this.
[00:21:07] I do this.
[00:21:07] And I do this.
[00:21:08] But I'm putting out an album.
[00:21:09] On my album.
[00:21:11] I did this.
[00:21:12] I did this.
[00:21:12] I did this.
[00:21:13] And what's happening now.
[00:21:14] You artists thinking you too good to do press.
[00:21:16] And it's hurting you.
[00:21:18] You think you gotta do press.
[00:21:20] When you got an album coming out.
[00:21:22] And you think.
[00:21:23] I got an album coming out.
[00:21:24] And I'm gonna give everybody seven minutes to interview me.
[00:21:27] And it's gonna help my album.
[00:21:29] And it ain't helping shit.
[00:21:30] It ain't.
[00:21:33] It ain't helping.
[00:21:35] All you artists.
[00:21:37] Charleston is more viral than y'all.
[00:21:39] Jaguar Wright is more viral than y'all.
[00:21:42] Umar Johnson is more viral than artists.
[00:21:45] These individuals are more viral.
[00:21:47] And people care more about what they have to say.
[00:21:50] And they never created shit in the music business.
[00:21:53] They just have an opinion.
[00:21:55] So people care more about opinions of regular people.
[00:21:59] Than people who created music.
[00:22:01] Jaguar Wright don't talk about the music she did.
[00:22:04] But she seemed to be everywhere.
[00:22:06] And know everything about everybody.
[00:22:08] She know the color drawers you had on yesterday.
[00:22:10] She was there.
[00:22:15] We don't know nothing about artists.
[00:22:18] We don't know shit.
[00:22:20] When you started rapping.
[00:22:21] Where you started rapping.
[00:22:25] What do we.
[00:22:27] What.
[00:22:27] Who inspired you.
[00:22:30] What was the first rhyme you wrote.
[00:22:34] We love the story.
[00:22:35] I'm telling you artists.
[00:22:37] We love the story.
[00:22:39] We love the story about how you started.
[00:22:43] How you put this together.
[00:22:45] What were you thinking.
[00:22:48] So now.
[00:22:50] We just follow personalities.
[00:22:52] You dropping an album.
[00:22:53] So what.
[00:22:54] I didn't know you rapped.
[00:22:57] Charleston White could drop an album tomorrow.
[00:22:59] And go platinum.
[00:23:03] Dr. Umar Johnson can drop an album called.
[00:23:06] Say it three times.
[00:23:08] And stream a lot.
[00:23:10] There's no way in hell that personalities.
[00:23:13] Should be streaming.
[00:23:17] Interviews more than your music.
[00:23:20] Is streaming.
[00:23:23] Ghostface Killer dropped.
[00:23:26] Dropped an album.
[00:23:31] On Mass Appeal.
[00:23:33] And his first.
[00:23:35] Single.
[00:23:36] Has Nas rapping on it.
[00:23:39] Now we know.
[00:23:42] Ghostface.
[00:23:45] Verbal intercourse.
[00:23:47] With Nas.
[00:23:48] An eye for an eye with Nas.
[00:23:50] They have a record together.
[00:23:55] Matter of fact.
[00:23:55] I'm going to do something that I.
[00:23:57] You know.
[00:23:57] Don't have to do.
[00:23:58] Because nobody did an interview with me.
[00:24:01] He did an interview with Toray.
[00:24:10] Toray.
[00:24:15] But I'm going to show you something.
[00:24:18] I'm going to go to YouTube.
[00:24:23] And as I go to YouTube.
[00:24:24] I want to type in.
[00:24:26] Ghostface and Nas.
[00:24:27] I'm going to do this in real time.
[00:24:29] For all the people listening.
[00:24:30] Back on the audio.
[00:24:32] That's why you should watch the live.
[00:24:34] You can see what I'm doing.
[00:24:35] Uh.
[00:24:36] In real time.
[00:24:39] I think Scar Tissue is the record.
[00:24:41] Yeah.
[00:24:41] Here we go.
[00:24:44] So for yo.
[00:24:45] For those who don't know.
[00:24:47] Ghostface.
[00:24:48] This killer.
[00:24:49] This killer.
[00:24:49] Featuring Nas.
[00:24:50] Scar Tissue.
[00:24:53] Has 694.
[00:24:56] Thousand views.
[00:25:00] That's it.
[00:25:01] This Nas.
[00:25:02] This is the actual music video.
[00:25:05] Nas is rapping on this.
[00:25:10] That's all.
[00:25:14] Look.
[00:25:14] Something old as verbal intercourse.
[00:25:16] Six million.
[00:25:17] And this is.
[00:25:20] This is Raekwon.
[00:25:21] The official thing.
[00:25:22] Rich Fishupage.
[00:25:23] Which has Nas on it as well.
[00:25:30] You see.
[00:25:32] That's it.
[00:25:35] Why?
[00:25:36] Because he didn't do no interviews.
[00:25:38] Talking about music.
[00:25:41] He sat down with Toray.
[00:25:43] They think.
[00:25:44] I'm Ghostface.
[00:25:46] And people.
[00:25:46] All I got to do.
[00:25:48] Is go to my gram.
[00:25:49] And announce that I got an album.
[00:25:51] And people going to gravitate towards it.
[00:25:53] Well.
[00:25:53] That's not true.
[00:25:57] So.
[00:25:57] Let's.
[00:25:58] For argument's sake.
[00:26:01] Let's put in Charleston White.
[00:26:07] In real time.
[00:26:11] Charleston White with Cam Newton.
[00:26:13] Eight months ago.
[00:26:15] Nine million views.
[00:26:17] Two weeks ago.
[00:26:19] 971k.
[00:26:21] Do you understand what I'm saying?
[00:26:23] Charleston White with Little Woody.
[00:26:26] A day ago.
[00:26:28] 153k views.
[00:26:35] Two months ago.
[00:26:36] 700,902 views.
[00:26:51] This is what I'm saying.
[00:26:55] Not like this is Tazariot.
[00:26:58] This is what I'm saying.
[00:27:03] These are not artists.
[00:27:08] When the art.
[00:27:10] Took a backseat.
[00:27:12] To.
[00:27:13] The personalities.
[00:27:15] The art now though.
[00:27:22] Nobody cares about the art.
[00:27:25] So when you put out an album.
[00:27:27] Who's going to listen to it?
[00:27:30] That's why.
[00:27:31] The name of this is.
[00:27:32] Make hip-hop interviews great again.
[00:27:35] There was a particular time.
[00:27:37] Where you watched the interview.
[00:27:39] And you loved it.
[00:27:39] The person was talking about the music.
[00:27:41] Of course.
[00:27:41] Get into the back story.
[00:27:42] The history.
[00:27:43] But it has to be a particular time.
[00:27:45] Where you say.
[00:27:46] Hey.
[00:27:46] I got this new album.
[00:27:49] This new album.
[00:27:51] Called such and such.
[00:27:53] And it features this person.
[00:27:55] This person.
[00:27:56] And this person.
[00:27:57] And I did this.
[00:27:58] And we like.
[00:27:59] Wow.
[00:27:59] When is the last time.
[00:28:01] Somebody talked about their album.
[00:28:03] And they talked about the features.
[00:28:05] And they talked about the producers.
[00:28:08] When is the last time.
[00:28:09] Somebody said.
[00:28:10] Hey man.
[00:28:11] I got this dope record.
[00:28:12] With just blaze.
[00:28:14] CeeLo Green is singing on it.
[00:28:16] And.
[00:28:20] Stevie Wonder is playing the tambourine.
[00:28:22] We don't hear that no more.
[00:28:24] There's no anticipation of the music.
[00:28:29] But everybody has a take on the music.
[00:28:32] Everybody's talking about the music.
[00:28:35] But the people who should be talking about the music.
[00:28:37] Don't talk about the music.
[00:28:39] So.
[00:28:39] How are we supposed to review music.
[00:28:42] And say this is dope.
[00:28:43] This ain't dope.
[00:28:44] If the own person who put the music out.
[00:28:46] Don't say shit about it.
[00:28:50] So if you get a chance.
[00:28:55] Ghost Dream.
[00:28:55] Ghost Face album.
[00:28:57] It's called Set the Tone.
[00:29:06] It's called Set the Tone.
[00:29:08] Did you know that?
[00:29:09] No.
[00:29:10] Why am I here.
[00:29:11] Talking about something.
[00:29:12] And you have these big platforms.
[00:29:15] Because these so called big platforms.
[00:29:17] All they do is not the culture of music.
[00:29:20] They got something to say about everybody.
[00:29:22] Me.
[00:29:23] I care about the music.
[00:29:24] You know why?
[00:29:24] Because I'm a creator.
[00:29:26] And real true lover of music.
[00:29:27] Who actually spent money.
[00:29:29] Getting the equipment to make music.
[00:29:31] So as much as we can criticize the music.
[00:29:35] You also have to be a maker of the music.
[00:29:38] To know what you're criticizing.
[00:29:40] Because you can't just sit there and say.
[00:29:43] Oh such and such is whack.
[00:29:46] I appreciate you.
[00:29:48] I don't know how to pronounce your name.
[00:29:50] So my bad.
[00:29:51] But I appreciate you.
[00:29:52] For supporting my independent voice.
[00:29:55] With the super chat.
[00:29:55] Thank you.
[00:29:56] You get what I'm saying?
[00:29:59] Because when Justin Timberlake is going to drop a new album.
[00:30:02] Guess what he's going to do?
[00:30:03] He's going to go to Good Morning America.
[00:30:05] He's going to go everywhere and say.
[00:30:07] Yes.
[00:30:08] I have a new project.
[00:30:09] And a new project.
[00:30:10] Is.
[00:30:11] Yeah.
[00:30:11] I got Timberlake.
[00:30:12] They make sure they do that.
[00:30:14] But with the hip hop.
[00:30:15] There's none of that.
[00:30:19] We talking about everything else.
[00:30:21] Who you shot.
[00:30:23] Who you got beef with.
[00:30:26] We don't care.
[00:30:30] We don't care.
[00:30:31] And we relinquish.
[00:30:35] The hip hop art.
[00:30:37] And the music.
[00:30:38] To these poop butt ass.
[00:30:41] Interviewers.
[00:30:42] And these platforms.
[00:30:43] And you keep chasing numbers.
[00:30:45] Right?
[00:30:46] This is the deal.
[00:30:47] You keep chasing numbers.
[00:30:49] Because the said platform got numbers.
[00:30:51] And the numbers don't help you.
[00:30:53] So who cares how many subscribers they got.
[00:30:56] Who cares that they might be.
[00:30:58] A little Caucasian.
[00:31:00] Or whatever the case may be.
[00:31:01] Who cares.
[00:31:02] Their numbers do not help you.
[00:31:03] Why?
[00:31:04] Because when you go on their platforms.
[00:31:06] They're not versed in the music.
[00:31:08] In the art of making music.
[00:31:10] So they can't ask you about it.
[00:31:11] They start asking you questions about somebody else.
[00:31:14] They start asking you.
[00:31:15] I could talk to Dame Dash for an hour.
[00:31:17] And never ask him one Jay-Z question.
[00:31:21] I could prove it.
[00:31:23] I could prove it.
[00:31:25] I could talk to Ghostface.
[00:31:26] And never ask him a Wu-Tang question.
[00:31:29] It'll be all about you.
[00:31:31] Why I used to do interviews early on.
[00:31:34] And never got on the camera.
[00:31:35] Because it was all about spotlight and the artist.
[00:31:38] What are you about?
[00:31:39] What are you into?
[00:31:41] Even if you look at my.
[00:31:42] Look at my Helter Skelter interview on here.
[00:31:44] It was all about the music.
[00:31:45] We were in the studio when I did the interview.
[00:31:49] Did you know that Smith & Wesson.
[00:31:52] And Helter Skelter was an interchange group.
[00:31:58] It was supposed to be.
[00:31:59] If I'm not mistaken.
[00:32:00] I got to refresh myself.
[00:32:02] But the interview was.
[00:32:03] It was supposed to be.
[00:32:05] Sean Price.
[00:32:07] In general.
[00:32:08] Still.
[00:32:08] As a group.
[00:32:10] In tech.
[00:32:11] In rock.
[00:32:11] As a group.
[00:32:13] But that's how you find out shit.
[00:32:15] From interviews.
[00:32:17] You find out things you didn't know.
[00:32:22] Where you think these questions come from.
[00:32:25] Give me a beat that you turned down.
[00:32:27] Give me a record that you.
[00:32:29] That everybody love.
[00:32:30] That you don't really like.
[00:32:33] I started all that.
[00:32:35] So you get sprinkles of it.
[00:32:36] And I'm glad people asked that question.
[00:32:38] Because it's important.
[00:32:42] Why you think Eric Sermon.
[00:32:44] I was like yo.
[00:32:45] Why didn't you.
[00:32:47] Produce on Illmatic.
[00:32:49] You know what he said.
[00:32:51] I gave Nas C-list beats.
[00:32:54] Why would I sit with Eric Sermon.
[00:32:56] And talk to Eric Sermon.
[00:32:58] About his beef.
[00:33:01] With Paris Smith.
[00:33:02] When this guy is responsible for EPMD.
[00:33:05] Himself.
[00:33:07] Redman.
[00:33:08] Keith Murray.
[00:33:11] Shaq.
[00:33:13] And countless others.
[00:33:15] I got to dive into the brain.
[00:33:17] Of the music.
[00:33:19] Look at my Easy Mo B interview.
[00:33:21] All about the music.
[00:33:26] That's all that matters now.
[00:33:28] Because the music is dying.
[00:33:30] Because the conversation is dying.
[00:33:32] But everybody's a critic.
[00:33:35] Everybody's a critic.
[00:33:36] It's easy to criticize some shit.
[00:33:38] That you don't know about.
[00:33:39] That's why when these talking heads.
[00:33:42] Come on here.
[00:33:42] And they start saying.
[00:33:44] This is whack.
[00:33:45] That's whack.
[00:33:45] How would you know.
[00:33:49] Give me one beat you made.
[00:33:51] Give me one rap you wrote.
[00:33:55] How would you know was whack.
[00:33:56] Back.
[00:33:58] Because we got to follow the lead.
[00:34:00] Of the creator.
[00:34:03] So as you sit there and say.
[00:34:05] Damn.
[00:34:05] You know what.
[00:34:06] I don't like this.
[00:34:08] It sounds like something is missing.
[00:34:10] So said artist come and say.
[00:34:12] You know what.
[00:34:12] On that particular beat.
[00:34:14] There's no hi-hat on purpose.
[00:34:16] Because it's that and the third.
[00:34:18] So did you know.
[00:34:20] On Aaliyah.
[00:34:23] What's the name of the record.
[00:34:25] Are you somebody.
[00:34:26] I don't know.
[00:34:29] I just know.
[00:34:30] It's a.
[00:34:33] That's somebody.
[00:34:34] It's one of them records.
[00:34:35] But it has the baby crying in there.
[00:34:38] Timberland.
[00:34:39] Timberland.
[00:34:39] In an interview.
[00:34:41] Said he purposely didn't put a hi-hat in their beat.
[00:34:44] In that beat.
[00:34:45] Because people said all he do is hi-hats.
[00:34:48] So he made the beat.
[00:34:50] Are you that somebody.
[00:34:50] I think that's the name of the record.
[00:34:52] He said he made the beat.
[00:34:54] With no hi-hat in purpose.
[00:34:55] To show people.
[00:34:57] He don't need hi-hats in his beat.
[00:34:59] But when I first heard it.
[00:35:00] I was like.
[00:35:01] Where the hi-hat at?
[00:35:03] Timberland known for his hi-hats.
[00:35:04] He purposely didn't do it.
[00:35:06] But the fact that he explained that.
[00:35:09] Made it that much doper.
[00:35:13] But if he didn't explain that.
[00:35:14] We would be listening to it like.
[00:35:17] Something sound missing.
[00:35:23] So when these artists explain.
[00:35:25] A beat.
[00:35:26] I did a 16.
[00:35:29] And I got an 8 from him.
[00:35:31] And an 8 from him.
[00:35:32] Which is 16 as well.
[00:35:35] Then the songs won't sound so weird to you.
[00:35:38] Sometimes you ever listen to the music.
[00:35:40] And you be like.
[00:35:42] Something sound.
[00:35:43] I don't know.
[00:35:45] Something don't sound right.
[00:35:46] Or something.
[00:35:47] And then they explain.
[00:35:49] Oh nah.
[00:35:50] What I did was this.
[00:35:51] This that and the third.
[00:35:53] And you're like.
[00:35:53] That's why.
[00:35:56] One of the first records I heard.
[00:35:58] Where it sounded different.
[00:36:01] Was a record called.
[00:36:03] Recognized Thresholds of Negative Stress.
[00:36:06] By a group called the Boogie Monsters.
[00:36:07] Produced by LG.
[00:36:09] Easy Mo B Brother.
[00:36:11] And it was a rapper named Vex.
[00:36:13] Shout out to Vex.
[00:36:14] Wherever you at homie.
[00:36:15] I still remember you.
[00:36:16] I still remember our talks.
[00:36:17] But I ain't speak to Vex in years.
[00:36:19] It was in a group called.
[00:36:20] The Boogie Monsters.
[00:36:22] They also had a song called.
[00:36:23] Honey Dips and Gotham.
[00:36:24] Which was dope.
[00:36:25] When he comes in and say.
[00:36:27] Well I came through the door.
[00:36:29] I said.
[00:36:30] I was like.
[00:36:30] Why his voice sound like that?
[00:36:33] Come to find out.
[00:36:35] It was a distortion effects.
[00:36:37] That they.
[00:36:37] That they used for that.
[00:36:39] But I thought they messed up.
[00:36:41] But it was done on purpose.
[00:36:44] But you have to sometimes.
[00:36:46] Explain the music.
[00:36:48] For people to like it.
[00:36:50] Where have we seen.
[00:36:51] Art.
[00:36:52] Get put out there.
[00:36:53] Without it being explained.
[00:36:54] Do they put out movies?
[00:36:56] No.
[00:36:57] They drop a trailer.
[00:36:58] And they give a synopsis.
[00:37:00] Of the movie.
[00:37:01] A little caption.
[00:37:03] This movie is about.
[00:37:04] This that and the third.
[00:37:06] So based on the artwork.
[00:37:07] Based off the trailer.
[00:37:09] And the synopsis of the movie.
[00:37:10] And the actors.
[00:37:11] Is whether you want to see the movie or not.
[00:37:13] Am I right or wrong?
[00:37:14] So how are people dropping music.
[00:37:16] And there is.
[00:37:18] Nothing about the album.
[00:37:20] That we know.
[00:37:20] Said dude is sitting there.
[00:37:22] The next thing you know.
[00:37:23] He got an album.
[00:37:23] We don't know who's on it.
[00:37:25] We don't know who produced it.
[00:37:27] We don't know where it was recorded at.
[00:37:29] We know nothing about the music.
[00:37:31] So if it works for the movie industry.
[00:37:33] It works for every other industry.
[00:37:35] Why do these artists think?
[00:37:37] They don't have to give us anything about the music.
[00:37:40] But we're supposed to buy it.
[00:37:42] Who produce?
[00:37:43] Who's on the album?
[00:37:48] But we got a million and one podcasts.
[00:37:53] And everybody like.
[00:37:54] But I just felt like.
[00:37:56] Well I look at it like this.
[00:37:58] And if you notice.
[00:37:59] Whenever people talk about artists.
[00:38:02] It's never the new artists.
[00:38:04] They always go back to the nostalgia.
[00:38:06] We still talking about top five.
[00:38:09] Listen.
[00:38:09] If hip hop been around for 50 years.
[00:38:12] They say 50 years.
[00:38:15] How come the same artists are spoken about.
[00:38:18] And they came into culture 30 years ago.
[00:38:21] Don't you think that.
[00:38:22] Because eventually.
[00:38:23] We love Michael Jordan right.
[00:38:25] But we have to have LeBron in conversations now.
[00:38:28] We have to have Steph Curry in conversations.
[00:38:30] We have to have Durant.
[00:38:32] That's how the NBA grows.
[00:38:35] That's how the NBA flourishes.
[00:38:37] But if we still talking about Jordan.
[00:38:39] And he's this or he's that.
[00:38:41] Or Kareem or Magic.
[00:38:43] Then that means the NBA didn't grow.
[00:38:45] So we talking about hip hop.
[00:38:47] And we still saying the top five is Biggie.
[00:38:50] And Tupac and all of them.
[00:38:51] Although they might still be the top five.
[00:38:54] In many people's eyes.
[00:38:55] We have to have a way.
[00:38:57] Where we enter in new people in the conversation.
[00:39:00] At least to take the reins.
[00:39:02] And that's why the culture didn't grow.
[00:39:03] Because it's limited people.
[00:39:05] Because of these big platforms.
[00:39:07] They don't want to talk about none of that shit.
[00:39:09] Because look how dope.
[00:39:11] Kendrick is as an MC and an artist.
[00:39:13] His biggest record is a diss record now.
[00:39:16] So for the rest of his life.
[00:39:18] He can't do nothing without performing They Not Like Us.
[00:39:22] He has to.
[00:39:27] A diss record?
[00:39:31] But he got a whole catalog.
[00:39:33] But he got to perform They Not Like Us.
[00:39:35] All the conscious music y'all said he made.
[00:39:38] All the deep songs he made.
[00:39:39] He got to perform a diss record forever.
[00:39:42] But Jay-Z could perform.
[00:39:44] Don't have to do Takeover.
[00:39:46] Nas could perform.
[00:39:49] And don't have to perform.
[00:39:52] Ether.
[00:39:58] But the big three.
[00:40:01] Is Kendrick.
[00:40:04] Drake and J. Cole.
[00:40:10] How did the big three.
[00:40:11] If they not in nobody's top five of all time.
[00:40:13] Because at one time.
[00:40:14] Rakim.
[00:40:15] Kane.
[00:40:17] Different people was in people's top five.
[00:40:18] And then we had to move that out the way.
[00:40:20] We had to say.
[00:40:21] Nah.
[00:40:21] We got to make the ways for the Pox.
[00:40:23] The Nas.
[00:40:24] The Biggies.
[00:40:24] The Jay-Z's.
[00:40:25] You mean to tell me.
[00:40:26] They're still in the top five.
[00:40:29] Of all time.
[00:40:30] There's no new artist that we can say.
[00:40:32] Nah.
[00:40:33] We going to have to.
[00:40:34] We going to have to.
[00:40:35] We going to have to.
[00:40:36] Retool this top five.
[00:40:37] Because.
[00:40:38] Other artists came into shit.
[00:40:40] Then we got.
[00:40:41] Yo.
[00:40:41] We got legendary groups.
[00:40:43] Where is the hip-hop group at?
[00:40:45] Niggas can't even stay together.
[00:40:51] So.
[00:40:52] Again.
[00:40:53] And I'm blaming the artist.
[00:40:55] I can't really blame the platform.
[00:40:56] Because.
[00:40:57] When you go somewhere.
[00:40:59] To promote yourself.
[00:40:59] And your project.
[00:41:00] You don't allow people to talk about.
[00:41:03] You don't allow people to control the conversation.
[00:41:06] That's.
[00:41:06] That's real.
[00:41:07] You never let people.
[00:41:09] Control the conversation.
[00:41:11] You go there with a mission.
[00:41:12] Go there.
[00:41:13] And you're about to talk to Denzel about his.
[00:41:17] If you going.
[00:41:21] And Denzel.
[00:41:25] Got a new movie.
[00:41:27] I dare you to talk to him about glory.
[00:41:30] I dare you.
[00:41:31] I dare you to sit behind him.
[00:41:33] Rather sit in front of him.
[00:41:34] And behind him.
[00:41:35] Is his artwork.
[00:41:37] Before.
[00:41:37] About his music.
[00:41:39] I mean.
[00:41:39] About his movie.
[00:41:41] And you say.
[00:41:42] So what was it like playing Malcolm X?
[00:41:44] He going to look at you like.
[00:41:45] The fuck you talking about?
[00:41:46] But hip-hop.
[00:41:48] Dudes go on these platforms.
[00:41:49] You go on the no jump.
[00:41:50] And I'm not singling them out.
[00:41:52] I'm just saying.
[00:41:52] You go on the no jumpers.
[00:41:53] You go on the Vlad.
[00:41:54] You go on these platforms.
[00:41:56] That are big.
[00:41:57] They don't ask you shit about your music.
[00:42:00] But then you'll have myself.
[00:42:01] You'll have others.
[00:42:02] That want to talk about the music.
[00:42:04] But.
[00:42:05] We're not this.
[00:42:06] We're not that.
[00:42:07] You know.
[00:42:08] So.
[00:42:09] With me.
[00:42:10] I might have tweeted something.
[00:42:12] That bothered you 10 years ago.
[00:42:14] So you don't fuck with him.
[00:42:15] I don't fuck with him.
[00:42:16] You don't fuck with me.
[00:42:18] But you fuck with them though.
[00:42:21] And I'm actually of this culture.
[00:42:23] Even if you gotta come before me.
[00:42:25] And we clear something up.
[00:42:27] Or whatever the case may be.
[00:42:28] As long as we ain't talking disrespectful to one another.
[00:42:30] But you got me.
[00:42:31] You know.
[00:42:32] You gave me clarity and understanding or something.
[00:42:34] Or we debate hip-hop.
[00:42:36] Because I never went on any platform.
[00:42:38] And said.
[00:42:38] This dude is a bitch.
[00:42:40] And all that.
[00:42:40] I always say.
[00:42:41] Yo.
[00:42:41] I didn't like that record.
[00:42:44] I don't like that song.
[00:42:46] I said.
[00:42:47] What was my last tweet?
[00:42:48] I don't like the soul.
[00:42:50] I don't like this new Kanye West.
[00:42:52] I miss the soul sample Kanye.
[00:42:54] I just.
[00:42:55] I do.
[00:42:56] So that means I'll never get an interview.
[00:42:59] Or Kanye will never fuck with me.
[00:43:01] But.
[00:43:01] When he went on platforms.
[00:43:03] He talked about everything but the music.
[00:43:05] But I miss.
[00:43:07] I miss.
[00:43:09] The soul sample Kanye West.
[00:43:12] Also.
[00:43:13] The new records that LL did.
[00:43:14] I don't like none of them.
[00:43:18] It's not personal.
[00:43:20] It's the art.
[00:43:23] I love the Common and Pete Rock album.
[00:43:25] I love the new Benny the Butcher.
[00:43:27] Tonight.
[00:43:28] Um.
[00:43:29] At midnight.
[00:43:29] It's probably already dropped.
[00:43:31] 38 Special.
[00:43:33] It's dropping a project.
[00:43:34] I can't wait to hear it.
[00:43:35] As soon as I get off with y'all.
[00:43:36] I already showered.
[00:43:38] Got my shit all together.
[00:43:39] You know what I'm saying.
[00:43:40] For bed.
[00:43:41] When I go chill.
[00:43:43] I'm gonna listen to the 38 Special project.
[00:43:45] It's shit that I anticipate.
[00:43:46] But people only hear when I say.
[00:43:48] I don't like something.
[00:43:49] But when I like something.
[00:43:50] You didn't hear that though.
[00:43:52] I just hate everything.
[00:43:56] But.
[00:43:58] When I say I like something.
[00:44:00] You ignore that.
[00:44:05] You ignore that.
[00:44:08] Can't wait to hear this 38 Special.
[00:44:09] Graf just dropped a dope project.
[00:44:12] Well.
[00:44:13] When Graf was on Drink Champs.
[00:44:15] And other shit.
[00:44:16] Didn't really talk about the music much.
[00:44:22] Y'all artists.
[00:44:24] And don't pick me.
[00:44:25] I don't care.
[00:44:27] I know I'm the most qualified.
[00:44:28] To talk about music with you.
[00:44:30] I'm just being real with you.
[00:44:32] I'm the most qualified.
[00:44:33] To talk about music with you.
[00:44:35] Because I could talk about it.
[00:44:36] From the beat.
[00:44:37] The lyrics.
[00:44:38] The production.
[00:44:39] The samples.
[00:44:40] Everything.
[00:44:41] I am the most qualified.
[00:44:42] To talk about your music with you.
[00:44:44] I know where your samples came from.
[00:44:46] I know what drums you use.
[00:44:48] I know the tempo.
[00:44:49] I know the rhyme scheme you use.
[00:44:52] I know everything.
[00:44:52] But.
[00:44:53] If you feel the way about me personally.
[00:44:55] You're not going to do it.
[00:44:56] I don't beg people for interviews.
[00:44:57] But.
[00:44:58] If you want to talk about your album.
[00:45:00] This is the place you should come.
[00:45:02] There's some other places.
[00:45:03] But make your stop here.
[00:45:05] But you go in places.
[00:45:06] For the numbers.
[00:45:09] No.
[00:45:09] It's actually Benny the Butch.
[00:45:10] Not Benny the Butch.
[00:45:11] Which is 38 Special.
[00:45:13] And Method Man.
[00:45:14] I think have a joint project coming out.
[00:45:19] Matter of fact.
[00:45:20] Hold on.
[00:45:27] Hold on one second.
[00:45:57] Call has been forwarded to voicemail.
[00:45:59] You're going to call me back after the fact.
[00:46:01] They always do that.
[00:46:02] So until I get offline.
[00:46:03] Because I wanted to.
[00:46:04] So I didn't even talk to them.
[00:46:05] But I'm sitting here.
[00:46:06] See.
[00:46:06] I'm sitting here tonight.
[00:46:09] Plug in projects.
[00:46:13] Poor righteous teacher.
[00:46:14] I appreciate you.
[00:46:16] Plug in projects.
[00:46:17] Plug in the music.
[00:46:18] I don't get paid for this.
[00:46:20] They pay academics all this money.
[00:46:23] All this money.
[00:46:25] The labels pay him all this bread.
[00:46:27] To where he could live in.
[00:46:29] These big extravagant houses.
[00:46:31] And all this shit like that.
[00:46:32] And that's cool.
[00:46:33] But the music.
[00:46:36] Suffers.
[00:46:37] The music.
[00:46:39] Actually suffers.
[00:46:43] The music suffers.
[00:46:44] Matter of fact.
[00:46:44] I'm going to show you right now.
[00:46:45] Hold on.
[00:46:47] Hold on right now.
[00:46:52] And I want y'all to hit these artists.
[00:46:54] And tell them.
[00:46:56] Yo.
[00:46:59] Here we go.
[00:47:00] What's up?
[00:47:02] Hold on.
[00:47:02] Let me darken the actual such and such for you.
[00:47:12] Still too light.
[00:47:14] Hold on one second y'all.
[00:47:19] Can you see that?
[00:47:20] This is out right now.
[00:47:28] Right now.
[00:47:29] Well.
[00:47:29] I don't know if it's a full project with Method Man.
[00:47:32] But I know they do.
[00:47:33] Oh.
[00:47:33] It might be one song.
[00:47:34] It's called.
[00:47:36] Yeah.
[00:47:37] It's not a full project.
[00:47:38] It's one song.
[00:47:39] My bad.
[00:47:39] My mistake.
[00:47:40] It's called.
[00:47:42] Special Methods.
[00:47:44] Oh.
[00:47:44] Oh.
[00:47:44] I don't want to play it.
[00:47:45] Because.
[00:47:46] But this is it right here.
[00:47:53] Nandy.
[00:47:54] Johnson.
[00:47:55] I agree with you.
[00:47:58] I'm going to be real with you.
[00:48:00] Out of a lot of people.
[00:48:02] I am one of the only black American platforms that speak about hip hop.
[00:48:09] Don't let my light skin fool you.
[00:48:11] I am a black American man.
[00:48:14] He mixed with nothing.
[00:48:17] I mixed with nigga and nigga.
[00:48:20] Seriously.
[00:48:22] Don't look at me and say.
[00:48:23] Oh.
[00:48:24] He must be this.
[00:48:25] He must be that.
[00:48:26] You must be a damn fool.
[00:48:29] You must be a damn fool.
[00:48:31] But 38 Specs just dropped.
[00:48:35] So now I got to get my bro on to talk about the music.
[00:48:42] Kai Sinai.
[00:48:44] Big platform.
[00:48:47] Playing video games.
[00:48:48] Jumping around.
[00:48:49] And I don't want to make it personal.
[00:48:50] Because it ain't personal with anybody.
[00:48:52] Right?
[00:48:53] It ain't personal.
[00:48:54] But look what they're pushing.
[00:48:57] You don't think it's by design.
[00:49:00] For them to get these artists and say.
[00:49:02] Well you didn't sell any music.
[00:49:05] But you owe.
[00:49:08] T-Pain told a story recently.
[00:49:10] How he got a 40 million dollar advance.
[00:49:13] Look it up.
[00:49:15] His split was.
[00:49:18] 15.
[00:49:19] 85.
[00:49:21] 15 for him.
[00:49:24] 85 for them.
[00:49:30] How you think that worked out?
[00:49:31] Now.
[00:49:34] T-Pain is a streamer.
[00:49:39] One of the most talented artists ever.
[00:49:46] One of the most talented artists ever.
[00:49:49] But now he has to stream.
[00:49:51] In order to be.
[00:49:53] Relevant.
[00:49:55] When he was one of the people who made auto tune popular.
[00:49:58] And everybody took.
[00:50:00] His auto tune.
[00:50:04] Shit.
[00:50:05] Future took it.
[00:50:06] Kanye West took it.
[00:50:08] But now look at T-Pain.
[00:50:11] He's a streamer.
[00:50:14] So that 40 million.
[00:50:16] Look good.
[00:50:16] It's nice advanced shit.
[00:50:18] When you pull.
[00:50:18] You're broke.
[00:50:19] That's some good money.
[00:50:20] But the long term.
[00:50:22] We don't know any better.
[00:50:24] Because again.
[00:50:25] If you're a starving artist.
[00:50:27] If you're starving.
[00:50:31] Not even an artist.
[00:50:33] If you're a starving person.
[00:50:36] A millionaire.
[00:50:38] A multi-millionaire.
[00:50:39] Somebody risk it.
[00:50:39] Give you a pack of oodles and noodles.
[00:50:41] And you're going to be like.
[00:50:42] Damn.
[00:50:45] This shit like a filet mignon.
[00:50:47] And they know that.
[00:50:51] I'm saying for these artists.
[00:50:53] I better start talking about your music again.
[00:50:57] You better start talking about your creativity.
[00:51:00] You better start doing more in studio videos.
[00:51:04] You better start doing more creative process videos.
[00:51:09] You better start doing that.
[00:51:11] Because your music is suffering.
[00:51:13] It's not enough talk about your music.
[00:51:15] And that's why hip-hop.
[00:51:16] As a whole culture.
[00:51:18] Is dead.
[00:51:20] Everybody's talking about.
[00:51:21] The Australian chick.
[00:51:23] Who went to the Olympics.
[00:51:25] And was break dancing.
[00:51:26] And how she this.
[00:51:28] And she's that.
[00:51:29] But let me ask you something.
[00:51:32] If an individual came out break dancing right now.
[00:51:36] Most people would laugh at them.
[00:51:37] Right or wrong.
[00:51:38] People would be like.
[00:51:39] Nigga break dancing.
[00:51:41] So how come when you got a bullshit motherfucker.
[00:51:44] Across the world doing it.
[00:51:45] It makes you mad.
[00:51:47] You don't really care anyway.
[00:51:50] You don't care.
[00:51:51] If somebody came out right now.
[00:51:53] Break dancing.
[00:51:54] You'd be like.
[00:51:55] Look at bull break dancing.
[00:51:57] I don't know what bull on.
[00:52:01] I don't know.
[00:52:02] I don't know what type of time bull on.
[00:52:05] You would dissle.
[00:52:07] But being that you see it.
[00:52:09] In the Olympics.
[00:52:10] And somebody's making a mockery of it.
[00:52:12] You act like you care.
[00:52:13] You don't care.
[00:52:15] You don't care.
[00:52:17] You still have people who break dance.
[00:52:19] We still have people.
[00:52:20] Who do stuff in hip-hop culture.
[00:52:22] That you don't care about.
[00:52:23] But then when it goes around the world.
[00:52:25] You want to gate keep it.
[00:52:26] And be like.
[00:52:27] Man look at them messing it up.
[00:52:29] Because if you go in certain places.
[00:52:31] Why do you think.
[00:52:33] All of these artists.
[00:52:35] Is always overseas.
[00:52:36] Because you want to call them old.
[00:52:38] That's why.
[00:52:39] Listen.
[00:52:40] Jadakiss.
[00:52:41] Broke out and did a windmill one day.
[00:52:43] Jadakiss.
[00:52:46] Y'all was like.
[00:52:47] Oh wow.
[00:52:49] Like Coach said.
[00:52:50] Common.
[00:52:51] Still will break dance.
[00:52:52] Y'all call them old school.
[00:52:55] Y'all call them old heads.
[00:52:56] Y'all love to call niggas old.
[00:53:00] You know that's people favorite shit.
[00:53:02] Oh I had a nigga on Facebook.
[00:53:03] Call me old yesterday.
[00:53:04] I said.
[00:53:05] Well.
[00:53:08] Old subjective.
[00:53:09] But why do you look like that though.
[00:53:11] Because if you're young.
[00:53:12] And I'm old.
[00:53:13] What's your excuse.
[00:53:15] You look washed and set.
[00:53:18] You a doobie.
[00:53:19] It's a wrap for you.
[00:53:23] You young.
[00:53:24] Looking like that.
[00:53:28] I'd rather be old.
[00:53:29] And look like this.
[00:53:30] Than to be young.
[00:53:30] And look like that.
[00:53:32] So calling me old ain't a diss.
[00:53:35] Shit.
[00:53:35] I've been around the culture.
[00:53:37] I've been around.
[00:53:38] And I love the fact.
[00:53:41] That I've been around.
[00:53:42] Because you would want to have my experience.
[00:53:47] But I'm old.
[00:53:48] And you look like that.
[00:53:50] And you young.
[00:53:51] Oh fam.
[00:53:54] It's a wrap for you.
[00:53:56] Washed and set.
[00:53:59] Bobby pins and all.
[00:54:01] It's over.
[00:54:02] It's over.
[00:54:03] Imagine you in 10 years.
[00:54:05] Shit.
[00:54:06] Because I love the fact that I'm old.
[00:54:08] And I get to tell you stories.
[00:54:09] About how I was a child.
[00:54:11] In a studio.
[00:54:12] With all of these great classic records.
[00:54:15] Being made.
[00:54:16] That's why.
[00:54:17] With me.
[00:54:17] Being old.
[00:54:18] Because I'm not the age of Elliot Wilson.
[00:54:20] Shout out to him.
[00:54:21] I'm younger than him.
[00:54:22] Right?
[00:54:22] But I love the fact that I was there.
[00:54:24] My experience of being there.
[00:54:26] And caring about the culture.
[00:54:27] Is why I can orate the culture.
[00:54:29] And ask these guys questions about shit.
[00:54:32] And I can ask them stuff.
[00:54:33] That would be never been asked before.
[00:54:35] That's why.
[00:54:36] Even if you look at many interviews.
[00:54:38] When they talk about hip hop.
[00:54:39] It's always from a story.
[00:54:41] That comes from me.
[00:54:44] When I interviewed Tracy Lee.
[00:54:47] What was it about?
[00:54:48] The music.
[00:54:49] Did you know what sticker rights was?
[00:54:51] Did you know.
[00:54:51] That he wasn't allowed to have Biggie's name on his single?
[00:54:57] Did you know that?
[00:55:00] Certain things you don't know.
[00:55:01] Because I like to talk about the music.
[00:55:07] And how you calling me old.
[00:55:08] And I'll fuck you up.
[00:55:13] Just really think about that.
[00:55:14] I'm old.
[00:55:16] But I'll whip your ass.
[00:55:18] Take your girl if you had one.
[00:55:21] Definitely.
[00:55:23] I'll run you out anything to do with stamina you.
[00:55:28] This is a fact.
[00:55:30] Niggas be young and washed.
[00:55:34] Skin bad.
[00:55:35] Crunchy.
[00:55:39] Facial hair growing down on your neck.
[00:55:42] Hairline gone.
[00:55:44] How you young with no hairline?
[00:55:49] I got my hairline.
[00:55:56] Don't really think about that before you want to call me name.
[00:55:59] Oh you're this.
[00:56:00] You know what?
[00:56:00] I am and I'm proud.
[00:56:02] You know why?
[00:56:03] Because I got a lot of my good friends who died before they had facial hair.
[00:56:07] And I was amongst that bullshit.
[00:56:09] And I'm glad to have escaped it.
[00:56:13] But look at you.
[00:56:14] Young ass dummy.
[00:56:19] Young dummy.
[00:56:23] How you ain't got no hairline and you young?
[00:56:29] How you more stressed than me?
[00:56:31] And you young.
[00:56:32] You ain't got no hairline, fam.
[00:56:36] You weigh like a buck.
[00:56:37] Your ribs are showing.
[00:56:41] I'd rather be old and healthy than to be young, malnourished, and no hairline.
[00:56:47] You'll never know what a shape up feel like.
[00:56:52] You'll never know what a shape up feel like.
[00:56:53] You'll never be able to go sit in the barber chair and be like yo, shake me up.
[00:56:57] You'll never be able to take your hat off and show your hairline.
[00:57:00] You can never do that.
[00:57:01] You see that?
[00:57:02] You can never do that.
[00:57:04] You can't show your hairline.
[00:57:06] You can't do that.
[00:57:07] And I ain't even brush my hair.
[00:57:09] You can't do that.
[00:57:10] So I'll be old with my hairline.
[00:57:12] Fine.
[00:57:16] Lucky Stardust, I appreciate you.
[00:57:18] Herbert Moore, shout out to you.
[00:57:22] So ageism is another thing that hurt the culture.
[00:57:28] Because for me, right, I like the young dudes.
[00:57:30] Because me as an elder statesman in the culture.
[00:57:34] Because in comparison to some, I'm young.
[00:57:37] So when it comes to Ralph McDaniels, you know what I do to Ralph McDaniels every time I see him?
[00:57:42] I bow.
[00:57:42] You know why?
[00:57:43] Because he was before me.
[00:57:45] Although me and Ralph McDaniels don't do the same thing.
[00:57:48] He wasn't digital like I am.
[00:57:51] But he's the inspiration for what I do.
[00:57:55] Right?
[00:57:55] And I always give him that props.
[00:57:57] You know why I give him those props?
[00:57:58] Because he deserves it and I'm supposed to.
[00:58:00] Right?
[00:58:01] As somebody who is inspired by him, I'm always supposed to tell somebody I'm inspired by them.
[00:58:06] Nowadays in the culture, people will copy your whole shit.
[00:58:10] And I ain't see you do that.
[00:58:11] You's a motherfucking liar.
[00:58:16] You are a liar.
[00:58:18] But it's cool.
[00:58:20] It's cool.
[00:58:25] What I'm supposed to do with the youth, when I did the interview with Freddie P, I can see something in his spirit wasn't right.
[00:58:36] What I said, yo, Freddie P, I think you need help.
[00:58:47] I think you need help.
[00:58:49] So we didn't care about the art.
[00:58:52] We didn't care about the music.
[00:58:53] I cared about the person.
[00:58:55] Yo, get counseling, bro.
[00:58:58] You seem like this shit is fucking with you bad.
[00:59:03] It seems like it's weighing down on your brain to where, you know, when the man just sit there and you can see real tears.
[00:59:09] It's not, you know, that crocodile shit dudes be doing.
[00:59:13] I see real tears.
[00:59:15] I see the pain in your face.
[00:59:16] I hear the pain in your voice talking about the situation.
[00:59:20] That's when I can say, yo, you need help.
[00:59:21] Because what I'm supposed to do is somebody who's older than him.
[00:59:24] Because you only owe, to me and my eyes, is how you feel.
[00:59:29] Especially when you're old and you want to act like a little nigga.
[00:59:34] You understand what I'm saying?
[00:59:35] When you want to act like a little nigga.
[00:59:37] When you want to still be out there.
[00:59:39] But see me, old with age comes wisdom.
[00:59:43] For some.
[00:59:44] Not everybody.
[00:59:45] So I feel like I should be giving wisdom based upon my experiences.
[00:59:49] And I don't want you to go through some of the things that I went through.
[00:59:54] So I got to say this, that, and the third.
[00:59:57] But again, it's been in conversations that I've had where I talk to Pete Rock.
[01:00:02] I talk to Moby.
[01:00:04] They're older than me.
[01:00:05] So I got to be the sponge.
[01:00:07] Why?
[01:00:07] Because sometimes in my personal conversations I have with them,
[01:00:11] they might have gave me some information that I got to convey to you.
[01:00:15] Because I got the platform.
[01:00:18] But people, listen, one of the things that we have a problem doing,
[01:00:23] and I've just seen Wallow say this shit.
[01:00:26] One of the things that we have a problem doing is listening.
[01:00:32] You got people who give you game every day.
[01:00:35] You got people who give you information.
[01:00:37] But you look what you fall victim to.
[01:00:39] Look what you want to hear.
[01:00:40] But then you want to hit me on a motherfucking DM and say,
[01:00:44] yo, how do I do this?
[01:00:46] How do I do that?
[01:00:47] I said that on last night's show.
[01:00:49] But you don't watch me because I'm not crying about somebody or going in.
[01:00:53] I ain't telling you.
[01:00:54] I don't have no fucking jail stories for you.
[01:00:56] I don't have no homoerotic stories about nobody either.
[01:00:59] I don't have no long-term feud.
[01:01:02] I'm not going on every night talking about one person,
[01:01:04] and he said this, and I got to reply.
[01:01:06] I ain't doing none of that shit.
[01:01:07] I said, listen, when I came into this culture,
[01:01:11] I really wanted to document hip-hop.
[01:01:15] That's why I did that.
[01:01:20] Nobody has done it as much as I've done.
[01:01:23] This is a fact.
[01:01:25] But now we got all these platforms.
[01:01:27] We got people.
[01:01:28] So now it falls back on the people now because if you are giving these individuals
[01:01:34] these views based off of this bullshit,
[01:01:37] then they going to keep doing it.
[01:01:38] But once you say, yo, listen, all right,
[01:01:43] we need some music talk.
[01:01:48] We need some music talk.
[01:01:50] Joe Button, as great as he was, in my opinion, is an artist.
[01:01:54] That's my opinion.
[01:01:54] People might not agree.
[01:01:55] I think he was an incredible artist.
[01:01:58] As much opinion that he has about the music,
[01:02:02] nobody even around him asks him about music
[01:02:06] and asks him why he has that opinion.
[01:02:10] See how simple that is?
[01:02:11] And it goes back to the music.
[01:02:13] When he says, I like this record,
[01:02:16] or I don't like this about this,
[01:02:18] me personally, I would be like, yo,
[01:02:20] if you had that beat,
[01:02:21] what type of song would you have made?
[01:02:24] Then we get back into talking about the music.
[01:02:30] How do you feel about the opening line?
[01:02:33] Would you have done that hook?
[01:02:36] Nobody asked Joe Button about music.
[01:02:38] They just let him rant and rave about what he like and what he don't like.
[01:02:42] But all you have to do is ask that, Nick.
[01:02:45] So, yo, if you had that beat,
[01:02:46] first of all, do you like the beat?
[01:02:48] Would you have done that?
[01:02:52] Because he's talking now as not only a critic,
[01:02:58] but as a creator of music.
[01:03:01] And if we don't talk about the creation of music more,
[01:03:05] then the music dies.
[01:03:07] That's all I'm saying to y'all.
[01:03:08] If I had to just say that in a nutshell,
[01:03:11] and I had to write a description,
[01:03:14] if we don't talk about the music enough,
[01:03:17] then the music dies.
[01:03:19] So we could look at Lotto and say,
[01:03:24] you look all right.
[01:03:26] Show ass.
[01:03:28] What do we know about Ice Spice the artist?
[01:03:31] No, seriously.
[01:03:32] What do we know about the artist, Ice Spice?
[01:03:37] What do we know?
[01:03:38] What the fuck is her real name?
[01:03:41] We don't know nothing.
[01:03:43] We just know she just came out with the little Ronald McDonald,
[01:03:46] had a catchy record,
[01:03:50] and she shake her ass.
[01:03:53] Her ass was looking one way.
[01:03:55] It was getting big.
[01:03:57] Then she started hitting that Busta Rhymes pack,
[01:04:00] and then she was bony again.
[01:04:02] Then she's twerking and look like she don't want to do that shit.
[01:04:06] So we're supposed to buy music from somebody we don't know?
[01:04:11] Let's really think about that.
[01:04:14] We're supposed to buy music from somebody we don't know.
[01:04:17] And again, like I said,
[01:04:19] when a movie comes out,
[01:04:20] we see a trailer,
[01:04:22] we see the actors,
[01:04:23] we see the director,
[01:04:25] and we see a synopsis of what the movie is about.
[01:04:29] When music come out,
[01:04:30] all we get is music.
[01:04:35] It's records on albums
[01:04:37] that was produced by some of our favorite producers,
[01:04:40] Just Blaze and different people,
[01:04:42] have been doing music on albums.
[01:04:43] And we don't even know that shit.
[01:04:45] We like, damn, what happened to Just Blaze?
[01:04:46] People be like,
[01:04:47] oh, he just did something with such and such.
[01:04:49] He did?
[01:04:50] I didn't know that.
[01:04:51] Why not?
[01:04:52] Because nobody's talking about it.
[01:04:54] We're supposed to just know.
[01:04:56] We're supposed to just say,
[01:04:57] yeah, well, you dropped the album.
[01:04:59] You tweeted it.
[01:05:00] You dropped the album.
[01:05:02] You put it on Instagram.
[01:05:03] I'm automatically going to listen to it
[01:05:05] because it's you.
[01:05:06] No.
[01:05:07] Because every time an actor
[01:05:10] does a new movie,
[01:05:11] they go on a press run for their movie.
[01:05:14] I don't care who it is.
[01:05:16] If the biggest actors in the world
[01:05:18] have done movies that grossed $200 million,
[01:05:22] they still will do press.
[01:05:24] Wasn't Martin and Will Smith
[01:05:27] fresh off the slap promoting Bad Boys 4?
[01:05:31] He could have just rested on,
[01:05:32] hey, I'm Will Smith.
[01:05:35] I just slapped fire out of Chris Rock.
[01:05:37] By the way, I got a new movie.
[01:05:40] You do?
[01:05:41] What is it about?
[01:05:42] Because we start saying Bad Boys 4.
[01:05:44] Damn, how we get to 4?
[01:05:45] I don't even know if I want to talk about 4
[01:05:49] because I didn't really like 3.
[01:05:51] But they have to come before you
[01:05:52] and talk about the movie,
[01:05:54] who directed it,
[01:05:56] the plot and all that.
[01:05:57] Hip-hop is the only motherfuckers
[01:05:59] that think we can just put the shit up
[01:06:02] and everybody's going to fuck with it.
[01:06:03] Link in bio.
[01:06:04] And if you didn't like it
[01:06:06] and if you didn't repost it,
[01:06:08] you're a hater.
[01:06:09] Nigga, I don't know what your music is about.
[01:06:12] I don't know who's on this project.
[01:06:13] Listen, you could have did a new album
[01:06:15] banging on pots.
[01:06:19] Andre 3000 with that flute Zelda shit
[01:06:22] got more love than other motherfuckers.
[01:06:25] Why?
[01:06:25] Because he was speaking about the music.
[01:06:30] Now the platforms don't talk about music.
[01:06:35] And it's the same conversation.
[01:06:37] People still talking about
[01:06:40] Ethan Takeover in 2024.
[01:06:44] That shit hurt Jay-Z.
[01:06:46] In 2024.
[01:06:49] We still having those conversations.
[01:06:52] We still having those talks.
[01:06:54] We still doing top 10 lists.
[01:06:57] We still talking about who's this,
[01:06:59] who's your top 5 of all time.
[01:07:02] That's all y'all could come up with.
[01:07:04] In 2024.
[01:07:06] Shit to make people argue.
[01:07:08] Shit really to get engagement.
[01:07:14] Now if I interview Conway,
[01:07:16] I wouldn't ask him who's his top 5.
[01:07:18] I think that that's a shallow ass question.
[01:07:20] Honestly.
[01:07:23] That's a shallow question.
[01:07:26] I would ask Conway,
[01:07:28] yo,
[01:07:31] do you have to hear the beat to write?
[01:07:33] Or did you have rhymes that you wrote to other beats?
[01:07:37] And then when you hear said beat,
[01:07:39] you say this could go to that.
[01:07:40] Because you know that's important, right?
[01:07:42] Some artists write to that beat.
[01:07:44] So it's tailor made to this beat.
[01:07:46] Some people heard another beat
[01:07:48] that inspired them to write.
[01:07:50] And when they hear this beat,
[01:07:52] they start kicking that rap in their head.
[01:07:54] And they say,
[01:07:54] oh shit,
[01:07:54] that go to that.
[01:07:55] I already got a verse for that.
[01:07:57] That's important.
[01:07:58] That's what we need to know.
[01:07:59] Or did you hear this beat?
[01:08:02] Did you hear this beat
[01:08:04] and wrote
[01:08:06] and is tailor made
[01:08:07] to this specific beat?
[01:08:09] Or did you write
[01:08:10] to the world is yours?
[01:08:13] Or did you say to the producer?
[01:08:14] Because I've had people say this to me before.
[01:08:17] Yo,
[01:08:18] I need a beat like this.
[01:08:19] There's got to be this tempo.
[01:08:22] Did you collab on the beat?
[01:08:25] But we're still asking Conway,
[01:08:28] who's the top five ever
[01:08:31] in 2024?
[01:08:35] It's always going to be subjective
[01:08:36] or who somebody top five is.
[01:08:39] Nobody's going to agree.
[01:08:40] But see,
[01:08:41] that's the shit I got to report
[01:08:42] because that's all people care about
[01:08:44] because people are looking to argue.
[01:08:51] When I interviewed Eric Sermon,
[01:08:53] I was so amazed by
[01:08:59] you did all your beats on this?
[01:09:06] He tells me a story
[01:09:08] because I got to remind me
[01:09:09] to put part two of the interview out.
[01:09:11] Shit.
[01:09:12] Damn.
[01:09:15] He tells me the story about how
[01:09:19] Roger Troutman was just with him
[01:09:21] before he died.
[01:09:22] This is,
[01:09:22] he told me Roger Troutman.
[01:09:25] More bounce of the ounce,
[01:09:26] computer love.
[01:09:27] I,
[01:09:28] and you know when I hear that,
[01:09:29] give me some of that right there.
[01:09:31] Let's talk about this music.
[01:09:32] I got to ask Eric Sermon
[01:09:37] about EPMD breakup
[01:09:39] and it fucking broke up
[01:09:40] like 35 years ago.
[01:09:41] Why are we talking about that?
[01:09:43] There's nothing new to talk about.
[01:09:47] So what these bum ass niggas do,
[01:09:50] they don't know how to talk hip hop.
[01:09:53] They let me do it.
[01:09:55] And being that they got
[01:09:56] a bigger platform,
[01:09:57] they sit there
[01:09:58] and watch my interview
[01:10:00] and trying to find a way
[01:10:01] to remix my questions.
[01:10:03] And I see it happen
[01:10:04] over and over again.
[01:10:08] Over and over again.
[01:10:11] I see it happening.
[01:10:15] Matter of fact,
[01:10:16] hold on.
[01:10:16] Let me give y'all something
[01:10:17] really quick if I may.
[01:10:19] If I may.
[01:10:21] Hold on.
[01:10:36] They either like you
[01:10:37] or hate you.
[01:10:39] This is random.
[01:10:41] This isn't rehearsed.
[01:10:43] I didn't know
[01:10:43] I was going to do this.
[01:10:44] This is just very impromptu
[01:10:46] at the time I'm doing this.
[01:10:49] This is random.
[01:10:50] I'm just going to pick up
[01:10:51] any clip of this interview.
[01:10:53] Any clip.
[01:10:54] Take all that.
[01:10:55] That's why you see people
[01:10:55] you know,
[01:10:56] could bring all for themselves
[01:10:58] or people doing
[01:10:59] massive drugs
[01:11:00] or homeboy DJ AM
[01:11:01] still do,
[01:11:02] you know, overdose.
[01:11:03] No matter what,
[01:11:04] this game, right,
[01:11:04] you got to be built for this, man.
[01:11:06] This game will break you.
[01:11:08] What are we talking about?
[01:11:10] The music.
[01:11:11] We're talking about the music.
[01:11:16] This is Eric Sermon.
[01:11:18] Go ahead.
[01:11:18] Now with the social media
[01:11:21] with the people
[01:11:21] putting them comments
[01:11:23] and stuff like that
[01:11:23] with you
[01:11:24] or verbally
[01:11:25] getting at you
[01:11:27] or telling you
[01:11:27] you whack
[01:11:28] or this and that
[01:11:28] or...
[01:11:29] You ever seen
[01:11:29] Eric Sermon
[01:11:30] that animated?
[01:11:31] Let's skip to another part.
[01:11:32] Any part.
[01:11:33] What are we talking about?
[01:11:34] Again,
[01:11:34] they have put my name down
[01:11:36] so fast.
[01:11:37] Got you.
[01:11:38] You know what I'm saying?
[01:11:38] Like,
[01:11:39] before I even tell people
[01:11:40] like,
[01:11:40] yo,
[01:11:41] this is what happened.
[01:11:42] You know?
[01:11:43] Bang.
[01:11:43] But,
[01:11:45] I don't want people
[01:11:46] to get it twisted
[01:11:46] like,
[01:11:47] yo,
[01:11:47] this is what I do.
[01:11:49] Yeah, yeah, yeah.
[01:11:49] You know?
[01:11:51] I need no one
[01:11:53] to do anything
[01:11:54] for the kid.
[01:11:55] Yeah, yeah.
[01:11:55] I've been following
[01:11:56] something over 75 million albums.
[01:11:58] I don't need none of them.
[01:11:59] Why?
[01:12:00] What are we talking about?
[01:12:03] The music.
[01:12:06] We're talking about
[01:12:07] the music.
[01:12:09] I don't know nothing else
[01:12:15] to talk about
[01:12:15] with these dudes.
[01:12:17] I don't know nothing else
[01:12:18] to talk about
[01:12:19] with these guys.
[01:12:22] And this ain't the same interview.
[01:12:24] This is part two.
[01:12:25] Y'all didn't see this interview.
[01:12:26] Y'all did not see this.
[01:12:29] But y'all saw it was part one.
[01:12:30] This is part two.
[01:12:31] The other part,
[01:12:32] see,
[01:12:32] we were supposed to do a two-part.
[01:12:33] We were supposed to wear
[01:12:34] the same clothes.
[01:12:35] He changed his clothes
[01:12:36] and I had on the same clothes
[01:12:37] because in the other interview
[01:12:38] he had on a white hoodie.
[01:12:39] That's the backstory to that.
[01:12:41] Because I got a backstory
[01:12:41] to every interview too.
[01:12:45] You know?
[01:12:47] So all I be wanting to talk about
[01:12:49] is the music.
[01:12:50] So,
[01:12:53] don't ask me
[01:12:54] should I interview somebody?
[01:12:55] Hit them up
[01:12:56] and start telling them
[01:12:57] to do an interview with me.
[01:13:00] We're going to talk about music.
[01:13:03] We're going to talk about music.
[01:13:07] That's it.
[01:13:10] Daddio.
[01:13:11] You see my Daddio interview.
[01:13:12] We're talking about
[01:13:13] Stetsasonic
[01:13:14] and
[01:13:15] how he feel about
[01:13:17] how he felt about
[01:13:20] horrorcore.
[01:13:22] Remember that?
[01:13:23] We're talking about
[01:13:23] horrorcore.
[01:13:24] We're talking about
[01:13:25] Fruquan leaving the group.
[01:13:27] What happened to
[01:13:28] conscious music?
[01:13:28] This is what I talk about
[01:13:30] with these guys.
[01:13:34] This is what I talk about
[01:13:36] with these guys.
[01:13:37] But
[01:13:38] if it's played out,
[01:13:40] I got to chase the numbers
[01:13:42] like St. Cheese.
[01:13:43] I got to chase the numbers
[01:13:44] like real
[01:13:45] Stetsasonic.
[01:13:46] I got to chase the numbers
[01:13:47] like everybody else
[01:13:47] because one thing
[01:13:48] you're not going to
[01:13:49] do to me
[01:13:50] is make me
[01:13:51] the person
[01:13:52] that don't get it.
[01:13:55] These people are paying
[01:13:57] their bills off of this.
[01:13:58] These people are
[01:13:59] building empires
[01:14:01] off your culture.
[01:14:03] Not even covering
[01:14:04] your culture.
[01:14:06] These people are building
[01:14:08] five million dollar
[01:14:11] facilities
[01:14:13] off your culture.
[01:14:17] Exploiting it though.
[01:14:21] This influx of gang shit.
[01:14:24] This influx of beef shit.
[01:14:29] Let's talk about a platform
[01:14:31] and I don't even want
[01:14:32] to single them out.
[01:14:33] But you got platforms
[01:14:34] like No Jumper.
[01:14:36] What the fuck do they
[01:14:37] talk about music?
[01:14:40] And got
[01:14:41] five million
[01:14:43] subscribers?
[01:14:44] So what am I doing wrong?
[01:14:45] Maybe I talk about
[01:14:46] the music too much.
[01:14:48] Maybe I should stop.
[01:14:53] Hip hop was built
[01:14:54] off the 5% culture.
[01:15:01] But that's why I asked
[01:15:02] what happened
[01:15:04] to conscious music.
[01:15:05] Because I was going to do
[01:15:06] a documentary
[01:15:07] and I had started it.
[01:15:09] But again
[01:15:10] I be needing funding.
[01:15:11] I be doing different shit
[01:15:12] because I do everything
[01:15:12] out my pocket
[01:15:13] and I ain't going to be
[01:15:14] doing that if people
[01:15:14] are going to be getting
[01:15:15] funded for shit
[01:15:16] and I'm doing shit
[01:15:17] for the culture
[01:15:17] out my pocket.
[01:15:18] So
[01:15:19] I was going to do
[01:15:21] a documentary.
[01:15:22] So I asked
[01:15:23] Daddy O the question.
[01:15:25] I asked Lord Jamal
[01:15:26] the question.
[01:15:27] What happened
[01:15:29] to conscious hip hop?
[01:15:30] And it was called
[01:15:31] the name of
[01:15:33] the documentary
[01:15:35] was
[01:15:35] From Righteous to Ratchet
[01:15:37] The Fall of Conscious Hip Hop.
[01:15:41] That was it.
[01:15:43] So that's why
[01:15:43] that
[01:15:45] question I asked
[01:15:46] Daddy O
[01:15:47] and I asked
[01:15:52] Lord Jamal
[01:15:53] the same question.
[01:15:55] You know what I'm saying?
[01:15:56] So yeah.
[01:15:58] It was called
[01:15:58] From Righteous to Ratchet.
[01:15:59] Ratchet.
[01:16:00] How we went from
[01:16:01] these songs
[01:16:02] about
[01:16:03] stuff
[01:16:04] and we still had
[01:16:04] party records
[01:16:05] and all that
[01:16:05] but then now
[01:16:07] it's all Ratchet.
[01:16:09] I wanted to know
[01:16:09] what happened.
[01:16:13] But again
[01:16:14] if I put up
[01:16:15] a GoFundMe
[01:16:16] you got clowns
[01:16:17] he's begging
[01:16:18] because you got
[01:16:19] people who fuck
[01:16:20] GoFundMe up.
[01:16:23] So it's like
[01:16:24] we can't complete
[01:16:25] nothing.
[01:16:25] We can't do nothing
[01:16:26] because
[01:16:27] people always
[01:16:29] fuck it up.
[01:16:32] You know what I'm saying?
[01:16:33] So when you have
[01:16:33] somebody that's
[01:16:34] authentic like me
[01:16:35] that want to come
[01:16:35] do something
[01:16:36] people say
[01:16:36] you such and such
[01:16:38] and such
[01:16:38] just like such and such
[01:16:39] because you know us
[01:16:40] we always cheat each other
[01:16:42] but I wanted to do
[01:16:43] a documentary
[01:16:44] called From Righteous
[01:16:45] to Ratchet
[01:16:45] and I wanted to talk
[01:16:47] to the poor
[01:16:48] righteous teachers.
[01:16:49] I wanted to talk
[01:16:49] to wise intelligent.
[01:16:50] I wanted to talk
[01:16:51] to Grant
[01:16:52] I wanted to sit down
[01:16:53] and I also wanted
[01:16:54] to talk to
[01:16:55] the new artists
[01:16:56] and ask them
[01:16:58] have you ever
[01:16:58] heard this before?
[01:17:00] Have you ever
[01:17:03] did you know
[01:17:04] this type of music
[01:17:05] exists?
[01:17:06] What makes you
[01:17:08] make the music
[01:17:09] you make?
[01:17:12] But again
[01:17:15] I'm not gonna
[01:17:16] fucking
[01:17:16] sit here
[01:17:17] and be paying
[01:17:18] for shit
[01:17:18] out of my pocket
[01:17:19] and then when you
[01:17:20] say hey
[01:17:21] I wanna do this shit
[01:17:22] nigga be like
[01:17:23] shit
[01:17:24] I'm paying that nigga
[01:17:25] nothing
[01:17:25] and giving him
[01:17:27] nothing
[01:17:28] so it don't get done
[01:17:29] so we all get
[01:17:30] exploited
[01:17:30] we all sit around
[01:17:32] and we all
[01:17:33] complain
[01:17:34] about what ain't
[01:17:35] being done
[01:17:36] but
[01:17:36] you got more
[01:17:41] control
[01:17:42] than you
[01:17:43] fucking know
[01:17:46] I'm not funding
[01:17:47] shit
[01:17:48] I should
[01:17:49] listen man
[01:17:49] this culture
[01:17:50] is crowd
[01:17:51] funded
[01:17:53] this is not
[01:17:54] I'm not
[01:17:55] I should not
[01:17:55] have to go out
[01:17:56] there
[01:17:57] and throw
[01:17:57] shows
[01:17:58] and do all
[01:17:59] this shit
[01:18:00] any monies
[01:18:00] that I make
[01:18:01] I should not
[01:18:02] have to put it
[01:18:03] into
[01:18:04] I put all my
[01:18:05] money into
[01:18:06] this shit
[01:18:06] anyway
[01:18:07] I put all my
[01:18:12] money into
[01:18:12] this shit
[01:18:13] anyway
[01:18:13] I should be
[01:18:14] able to go
[01:18:14] to BET
[01:18:15] or somebody
[01:18:16] or one of
[01:18:16] these producers
[01:18:17] and say
[01:18:17] hey I wanna
[01:18:18] do this
[01:18:21] holla holla
[01:18:21] that shit
[01:18:22] sound good
[01:18:22] let me tell you
[01:18:23] something as a
[01:18:24] black man
[01:18:24] y'all really
[01:18:25] have to learn
[01:18:26] about what
[01:18:26] funding is
[01:18:27] and what
[01:18:28] money is
[01:18:28] because y'all
[01:18:29] have no clue
[01:18:30] and one day
[01:18:31] I might
[01:18:31] educate y'all
[01:18:32] but I know
[01:18:33] y'all talk
[01:18:34] from the state
[01:18:34] of emotion
[01:18:35] and not logic
[01:18:37] and not knowing
[01:18:38] what you're talking
[01:18:39] about
[01:18:39] because you're
[01:18:39] saying don't
[01:18:40] worry about
[01:18:40] the money
[01:18:41] if you build
[01:18:42] it it will
[01:18:42] come
[01:18:43] just like
[01:18:44] the movie
[01:18:45] that's not
[01:18:45] how that
[01:18:46] shit works
[01:18:46] shit is not
[01:18:47] built off
[01:18:48] of
[01:18:49] if you do
[01:18:50] it it will
[01:18:51] come
[01:18:52] that's not
[01:18:53] how shit
[01:18:53] works
[01:18:54] nobody does
[01:18:55] shit out
[01:18:55] of their pocket
[01:19:00] nobody does
[01:19:01] shit out of
[01:19:01] their pocket
[01:19:02] it's something
[01:19:03] called OPM
[01:19:03] other people
[01:19:04] money
[01:19:05] so when
[01:19:05] they want
[01:19:06] these people
[01:19:06] to win
[01:19:07] and they
[01:19:07] want to
[01:19:08] do shit
[01:19:08] to our
[01:19:09] culture
[01:19:09] they fund
[01:19:10] it
[01:19:10] I told
[01:19:11] you earlier
[01:19:11] record labels
[01:19:13] pay academics
[01:19:17] so they're
[01:19:17] being paid
[01:19:18] to report
[01:19:19] certain shit
[01:19:19] how does
[01:19:20] that help
[01:19:21] us
[01:19:21] when Tariq
[01:19:28] Nanshi
[01:19:28] wanted to
[01:19:29] do a
[01:19:29] a documentary
[01:19:29] about the
[01:19:30] foundations
[01:19:31] of hip hop
[01:19:33] he had
[01:19:34] to crowd
[01:19:34] fund it
[01:19:35] you think
[01:19:36] him exposing
[01:19:37] that certain
[01:19:38] people wasn't
[01:19:39] a part of it
[01:19:39] you think
[01:19:40] they was
[01:19:40] going to
[01:19:41] give them
[01:19:41] money for
[01:19:41] that
[01:19:41] no he
[01:19:42] came to
[01:19:42] the people
[01:19:46] so y'all
[01:19:47] need to
[01:19:48] listen
[01:19:49] respectfully
[01:19:52] respectfully
[01:19:54] y'all really
[01:19:55] have to
[01:19:56] learn
[01:19:59] about
[01:19:59] finances
[01:20:00] it's not
[01:20:01] what you
[01:20:01] think
[01:20:02] it's not
[01:20:05] what you
[01:20:05] think
[01:20:06] and I'm
[01:20:07] tired of
[01:20:08] spending my
[01:20:09] money
[01:20:09] when somebody
[01:20:13] could
[01:20:13] I could be
[01:20:14] on here
[01:20:14] talking about
[01:20:15] rap and
[01:20:15] music
[01:20:16] music
[01:20:16] and somebody
[01:20:17] could sit
[01:20:17] down with
[01:20:18] Jaguar
[01:20:18] right and
[01:20:19] pay her
[01:20:19] five thousand
[01:20:20] dollars
[01:20:21] right
[01:20:22] pay her
[01:20:23] five thousand
[01:20:23] dollars
[01:20:23] and she'll
[01:20:24] lie for
[01:20:24] two hours
[01:20:25] and people
[01:20:26] million people
[01:20:27] to watch
[01:20:27] that
[01:20:29] just really
[01:20:29] think about
[01:20:30] that
[01:20:32] people got
[01:20:33] listen
[01:20:34] people got
[01:20:35] the money
[01:20:36] to put up
[01:20:37] we the biggest
[01:20:38] spending community
[01:20:39] what you talking
[01:20:39] about
[01:20:40] maybe you got
[01:20:41] to cut back
[01:20:41] on that
[01:20:42] reefer
[01:20:42] and that
[01:20:43] liquor
[01:20:43] and that
[01:20:44] bullshit
[01:20:45] if you
[01:20:46] really care
[01:20:46] sometimes
[01:20:47] you gotta
[01:20:47] sacrifice
[01:20:48] but again
[01:20:49] why would
[01:20:50] I be
[01:20:50] why would
[01:20:52] me talking
[01:20:53] about hip-hop
[01:20:55] why would
[01:20:56] people
[01:20:56] why would
[01:20:57] me be
[01:20:57] talking about
[01:20:58] hip-hop
[01:20:59] why would
[01:21:00] people care
[01:21:03] just really
[01:21:04] think about
[01:21:04] that
[01:21:05] niggas be
[01:21:05] like
[01:21:05] yeah
[01:21:07] Spike Lee
[01:21:07] crowdfunded
[01:21:08] for Malcolm
[01:21:08] X
[01:21:09] but see
[01:21:13] what the
[01:21:14] problem is
[01:21:14] when
[01:21:15] motherfuckers
[01:21:16] see me
[01:21:16] raise money
[01:21:17] that's when
[01:21:18] niggas start
[01:21:18] pocket watching
[01:21:19] and say
[01:21:19] he probably
[01:21:20] took this
[01:21:21] and he
[01:21:22] kept this
[01:21:22] but when
[01:21:23] it come
[01:21:23] to others
[01:21:24] you
[01:21:25] do not
[01:21:26] ask any
[01:21:27] questions
[01:21:28] you do
[01:21:30] not ask
[01:21:31] any
[01:21:31] questions
[01:21:38] so
[01:21:39] you ever
[01:21:40] seen an
[01:21:40] interview
[01:21:41] where Robert
[01:21:41] Downey
[01:21:42] was promoting
[01:21:43] an Ironman
[01:21:47] the interviewer
[01:21:48] tried to bring
[01:21:49] up
[01:21:49] exactly
[01:21:51] they don't
[01:21:52] play that
[01:21:52] thank you
[01:21:53] child Northside
[01:21:53] for supporting
[01:21:54] my independent
[01:21:55] voice
[01:21:57] don't
[01:21:57] play
[01:21:57] that
[01:21:57] listen
[01:21:58] we
[01:21:58] going
[01:21:58] to
[01:21:58] stand
[01:22:00] on
[01:22:00] you
[01:22:01] know
[01:22:01] what
[01:22:01] I'm
[01:22:02] going
[01:22:02] to
[01:22:02] put
[01:22:02] it
[01:22:03] together
[01:22:04] let me
[01:22:05] put it
[01:22:05] together
[01:22:07] I'm
[01:22:07] going to
[01:22:07] do a
[01:22:08] crowdfunding
[01:22:08] I'm
[01:22:09] going to
[01:22:09] see how
[01:22:09] much
[01:22:10] it costs
[01:22:10] because I
[01:22:11] want to
[01:22:11] fly
[01:22:11] I want to
[01:22:16] do a
[01:22:21] time
[01:22:24] for their
[01:22:24] time
[01:22:25] you know
[01:22:25] so I
[01:22:26] may not
[01:22:26] be
[01:22:27] 20,000
[01:22:27] but I
[01:22:28] would like
[01:22:28] to give
[01:22:28] dudes
[01:22:29] a couple
[01:22:29] of dollars
[01:22:29] could you
[01:22:30] come sit
[01:22:30] with me
[01:22:31] you know
[01:22:31] and get
[01:22:32] them to
[01:22:32] sign off
[01:22:32] on some
[01:22:33] stuff
[01:22:33] so I
[01:22:34] think
[01:22:34] that'll
[01:22:34] be
[01:22:34] dope
[01:22:34] from
[01:22:35] righteous
[01:22:35] you heard
[01:22:35] it
[01:22:36] here
[01:22:36] first
[01:22:38] from
[01:22:39] righteous
[01:22:39] to
[01:22:39] ratchet
[01:22:40] the
[01:22:43] fall
[01:22:43] of
[01:22:43] conscious
[01:22:43] hip
[01:22:44] hop
[01:22:44] because
[01:22:45] we
[01:22:45] want to
[01:22:46] know
[01:22:46] what
[01:22:47] happened
[01:22:49] how
[01:22:49] is we
[01:22:50] all
[01:22:50] I'm
[01:22:51] black
[01:22:51] and I'm
[01:22:51] proud
[01:22:52] to
[01:22:53] fuck
[01:22:53] that
[01:22:53] nigga
[01:22:54] what
[01:22:55] happened
[01:22:55] we
[01:22:59] want
[01:22:59] to
[01:23:00] know
[01:23:00] we
[01:23:01] deserve
[01:23:01] it
[01:23:02] in
[01:23:02] everybody's
[01:23:03] opinion
[01:23:03] what
[01:23:03] happened
[01:23:04] because
[01:23:04] it's
[01:23:05] certain
[01:23:05] people
[01:23:05] that
[01:23:05] could
[01:23:06] tell
[01:23:06] the
[01:23:06] story
[01:23:06] of
[01:23:06] them
[01:23:07] going
[01:23:07] to
[01:23:07] the
[01:23:07] record
[01:23:08] label
[01:23:08] and
[01:23:08] the
[01:23:08] record
[01:23:08] label
[01:23:09] was
[01:23:09] like
[01:23:09] yo
[01:23:09] we
[01:23:09] don't
[01:23:09] want
[01:23:10] to hear
[01:23:10] that
[01:23:10] shit
[01:23:10] no
[01:23:13] it's
[01:23:14] not
[01:23:14] nobody's
[01:23:14] duty
[01:23:15] bro
[01:23:15] listen
[01:23:16] compensate
[01:23:16] them
[01:23:16] for
[01:23:17] doing
[01:23:17] their
[01:23:17] duty
[01:23:17] it's
[01:23:18] not
[01:23:18] nobody's
[01:23:19] duty
[01:23:19] again
[01:23:20] we
[01:23:20] want
[01:23:20] to
[01:23:21] hold
[01:23:21] people
[01:23:21] feet
[01:23:21] to
[01:23:22] the
[01:23:22] fire
[01:23:22] what
[01:23:22] they
[01:23:22] should
[01:23:23] be
[01:23:23] doing
[01:23:23] right
[01:23:24] but
[01:23:25] when
[01:23:25] it
[01:23:25] come
[01:23:25] to
[01:23:25] others
[01:23:27] they
[01:23:28] get
[01:23:28] to
[01:23:28] do
[01:23:28] what
[01:23:28] they
[01:23:29] want
[01:23:31] dark
[01:23:31] mouth
[01:23:32] if
[01:23:32] you
[01:23:32] feel
[01:23:32] crack
[01:23:33] happen
[01:23:33] that's
[01:23:34] a
[01:23:34] good
[01:23:35] point
[01:23:35] for
[01:23:35] somebody
[01:23:36] to
[01:23:36] make
[01:23:36] Lord
[01:23:37] Jamal
[01:23:37] told
[01:23:38] me
[01:23:38] what
[01:23:38] he
[01:23:38] thought
[01:23:38] happened
[01:23:39] I
[01:23:40] got
[01:23:40] footage
[01:23:41] from
[01:23:46] one
[01:23:46] of
[01:23:46] the
[01:23:46] people
[01:23:47] on
[01:23:47] the
[01:23:47] forefront
[01:23:47] of
[01:23:48] conscious
[01:23:48] hip
[01:23:48] hop
[01:23:49] but
[01:23:49] I
[01:23:49] want
[01:23:50] to
[01:23:50] get
[01:23:50] like
[01:23:51] see
[01:23:51] I
[01:23:52] don't
[01:23:52] really
[01:23:52] have
[01:23:52] to
[01:23:52] do
[01:23:52] a
[01:23:53] trademark
[01:23:53] because
[01:23:53] I
[01:23:53] put
[01:23:53] it
[01:23:54] out
[01:24:16] no
[01:24:16] nigger
[01:24:17] rigging
[01:24:17] shit
[01:24:17] I
[01:24:17] want
[01:24:18] this
[01:24:18] shit
[01:24:18] to
[01:24:18] be
[01:24:19] someplace
[01:24:19] maybe
[01:24:20] I
[01:24:20] could
[01:24:20] go
[01:24:20] to
[01:24:21] a
[01:24:21] Netflix
[01:24:21] or
[01:24:21] Hulu
[01:24:22] or
[01:24:22] Tubi
[01:24:23] and
[01:24:23] say
[01:24:23] look
[01:24:23] I
[01:24:23] got
[01:24:24] this
[01:24:25] and
[01:24:25] we
[01:24:25] got
[01:24:25] the
[01:24:26] names
[01:24:26] on
[01:24:26] the
[01:24:26] documentary
[01:24:29] got
[01:24:30] the
[01:24:30] name
[01:24:31] the
[01:24:31] names
[01:24:32] on
[01:24:32] the
[01:24:32] documentary
[01:24:33] so
[01:24:34] people
[01:24:34] will
[01:24:34] want
[01:24:34] to
[01:24:34] pick
[01:24:35] it
[01:24:35] up
[01:24:35] we
[01:24:35] got
[01:24:35] the
[01:24:35] names
[01:24:36] because
[01:24:36] of
[01:24:36] course
[01:24:36] I
[01:24:36] want
[01:24:37] to
[01:24:37] get
[01:24:38] the
[01:24:38] grand
[01:24:39] pubas
[01:24:39] I
[01:24:39] want
[01:24:39] to
[01:24:40] get
[01:24:40] the
[01:24:41] Chuck
[01:24:41] D's
[01:24:42] I
[01:24:42] want
[01:24:42] to
[01:24:42] get
[01:24:42] those
[01:24:43] type
[01:24:43] of
[01:24:43] people
[01:24:44] the
[01:24:45] bucket
[01:24:45] list
[01:24:45] is
[01:24:45] grand
[01:24:46] puba
[01:24:47] that's
[01:24:48] just
[01:24:48] first
[01:24:48] wise
[01:24:49] intelligent
[01:24:49] grand
[01:24:50] puba
[01:24:51] I
[01:24:51] would
[01:24:51] start
[01:24:52] with
[01:24:52] them
[01:24:54] we
[01:24:54] could
[01:24:54] fill in
[01:24:55] the
[01:24:55] blanks
[01:24:55] from
[01:24:55] there
[01:24:55] but
[01:24:56] then
[01:24:56] I
[01:24:56] want
[01:24:56] to
[01:24:57] go
[01:24:57] to
[01:24:57] the
[01:24:57] so
[01:24:57] called
[01:24:58] ratchet
[01:24:58] side
[01:24:58] I
[01:24:59] want
[01:24:59] to
[01:24:59] get
[01:24:59] a
[01:25:00] juicy
[01:25:00] J
[01:25:00] or
[01:25:01] DJ
[01:25:01] Paul
[01:25:03] or
[01:25:04] little
[01:25:04] John
[01:25:05] or
[01:25:05] somebody
[01:25:07] to
[01:25:07] say
[01:25:08] in
[01:25:08] your
[01:25:08] part
[01:25:09] of
[01:25:09] town
[01:25:09] where
[01:25:10] you
[01:25:10] grew
[01:25:10] up
[01:25:11] how
[01:25:11] you
[01:25:11] grew
[01:25:11] up
[01:25:12] did
[01:25:12] you
[01:25:13] hear
[01:25:13] this
[01:25:13] music
[01:25:15] so
[01:25:16] if
[01:25:16] you
[01:25:16] heard
[01:25:16] this
[01:25:17] music
[01:25:17] and
[01:25:18] this
[01:25:18] is
[01:25:18] what
[01:25:18] hip
[01:25:18] hop
[01:25:19] was
[01:25:19] about
[01:25:19] from
[01:25:20] what
[01:25:20] you
[01:25:20] heard
[01:25:21] what
[01:25:21] made
[01:25:22] you
[01:25:23] make
[01:25:24] the
[01:25:24] music
[01:25:25] you
[01:25:25] was
[01:25:25] making
[01:25:27] was
[01:25:28] consciousness
[01:25:29] a
[01:25:32] part
[01:25:32] of
[01:25:33] your
[01:25:33] society
[01:25:33] or
[01:25:34] was it
[01:25:34] strictly
[01:25:35] some
[01:25:36] dudes
[01:25:36] that
[01:25:36] was
[01:25:37] gods
[01:25:37] or
[01:25:38] was
[01:25:38] it
[01:25:38] some
[01:25:38] dudes
[01:25:39] did
[01:25:39] you
[01:25:40] think
[01:25:40] it
[01:25:40] was
[01:25:40] just
[01:25:40] some
[01:25:40] national
[01:25:41] Islam
[01:25:41] thing
[01:25:43] so
[01:25:44] yeah
[01:25:44] and I
[01:25:45] gotta
[01:25:46] get
[01:25:46] people
[01:25:46] to
[01:25:46] sign
[01:25:47] off
[01:25:47] so
[01:25:47] I
[01:25:48] think
[01:25:48] it's
[01:25:48] important
[01:25:50] that I
[01:25:51] gotta
[01:25:51] start
[01:25:51] with
[01:25:51] Puba
[01:25:52] gotta
[01:25:52] start
[01:25:53] with
[01:25:53] Grand
[01:25:53] Puba
[01:25:54] got
[01:25:55] to
[01:25:56] so
[01:25:57] yeah
[01:25:57] um
[01:25:58] I
[01:25:59] would
[01:25:59] interview
[01:25:59] anybody
[01:26:00] that
[01:26:00] want
[01:26:00] me
[01:26:00] to
[01:26:00] interview
[01:26:01] them
[01:26:01] as long
[01:26:01] as we
[01:26:02] could
[01:26:02] talk
[01:26:02] about
[01:26:02] the
[01:26:02] music
[01:26:02] we
[01:26:03] could
[01:26:03] go
[01:26:04] into
[01:26:04] everything
[01:26:05] but we
[01:26:05] have
[01:26:05] to
[01:26:05] talk
[01:26:06] about
[01:26:06] the
[01:26:06] music
[01:26:07] even
[01:26:08] when
[01:26:08] I
[01:26:08] interview
[01:26:08] Max
[01:26:08] B
[01:26:09] as
[01:26:09] controversial
[01:26:10] as
[01:26:10] that
[01:26:10] interview
[01:26:10] is
[01:26:11] I
[01:26:12] still
[01:26:12] ask
[01:26:13] them
[01:26:13] about
[01:26:13] the
[01:26:13] music
[01:26:13] he
[01:26:14] did
[01:26:14] with
[01:26:14] Jim
[01:26:14] Jones
[01:26:14] I
[01:26:35] would
[01:26:35] would
[01:26:35] would
[01:26:36] have
[01:26:36] to
[01:26:37] get
[01:26:37] Chuck
[01:26:37] D
[01:26:38] but
[01:26:40] I
[01:26:40] really
[01:26:40] would
[01:26:40] want
[01:26:41] to
[01:26:41] have
[01:26:41] something
[01:26:42] to
[01:26:43] put
[01:26:43] together
[01:26:43] for
[01:26:44] them
[01:26:44] and
[01:26:44] y'all
[01:26:44] hearing
[01:26:45] it
[01:26:45] here
[01:26:45] first
[01:26:45] I
[01:26:45] been
[01:26:46] had
[01:26:46] this
[01:26:46] idea
[01:26:46] that's
[01:26:47] why
[01:26:47] that
[01:26:47] question
[01:26:48] that
[01:26:48] I
[01:26:49] asked
[01:26:51] daddy-o
[01:26:51] it was
[01:26:52] supposed
[01:26:52] to go
[01:26:52] for
[01:26:52] that
[01:26:54] I
[01:26:55] asked
[01:26:55] some
[01:26:55] Taleb
[01:26:55] Kuali
[01:26:56] too
[01:26:56] I
[01:26:56] got
[01:26:56] Taleb
[01:26:57] Kuali
[01:26:58] so
[01:26:58] if
[01:26:58] I
[01:26:58] already
[01:26:59] had
[01:26:59] a
[01:26:59] foundation
[01:27:01] I
[01:27:01] had
[01:27:03] daddy-o
[01:27:05] Lord
[01:27:06] Jamal
[01:27:06] and
[01:27:06] Taleb
[01:27:07] Kuali
[01:27:07] and
[01:27:07] that's
[01:27:08] why
[01:27:08] I
[01:27:08] never
[01:27:08] put
[01:27:08] out
[01:27:09] those
[01:27:09] interviews
[01:27:10] with
[01:27:10] Lord
[01:27:10] Jamal
[01:27:11] and
[01:27:12] Taleb
[01:27:13] Kuali
[01:27:13] because
[01:27:13] I
[01:27:13] wanted
[01:27:14] to
[01:27:14] use
[01:27:14] some
[01:27:14] of
[01:27:15] our
[01:27:15] interview
[01:27:15] for
[01:27:16] a
[01:27:16] documentary
[01:27:16] from
[01:27:17] Righteous
[01:27:17] to Ratchet
[01:27:20] and
[01:27:21] just
[01:27:21] you know
[01:27:21] I
[01:27:21] just
[01:27:37] with
[01:27:37] you
[01:27:37] and
[01:27:37] Jim
[01:27:37] Jones
[01:27:38] he
[01:27:38] was
[01:27:38] like
[01:27:38] somebody
[01:27:39] gotta
[01:27:39] die
[01:27:41] and
[01:27:42] I
[01:27:42] was
[01:27:42] like
[01:27:42] nah
[01:27:42] you
[01:27:43] don't
[01:27:43] mean
[01:27:43] that
[01:27:43] you
[01:27:43] can
[01:27:43] hear
[01:27:44] me
[01:27:44] say
[01:27:44] nah
[01:27:44] you
[01:27:44] don't
[01:27:44] mean
[01:27:45] that
[01:27:46] I
[01:27:46] never
[01:27:46] wasn't
[01:27:46] like
[01:27:47] word
[01:27:47] oh
[01:27:48] that's
[01:27:48] what's
[01:27:48] up
[01:27:48] I'm
[01:27:49] like
[01:27:49] nah
[01:27:49] you
[01:27:49] don't
[01:27:49] mean
[01:27:49] that
[01:27:51] but
[01:27:51] you
[01:27:51] know
[01:27:54] anyway
[01:27:55] I
[01:27:57] don't
[01:27:57] want
[01:27:57] to
[01:27:57] talk
[01:27:57] about
[01:27:57] Rakim
[01:27:58] but
[01:27:59] shout
[01:27:59] out
[01:27:59] to
[01:28:00] y'all
[01:28:00] man
[01:28:00] again
[01:28:04] damn
[01:28:04] now
[01:28:04] I
[01:28:05] want
[01:28:05] to
[01:28:05] come
[01:28:05] up
[01:28:06] y'all
[01:28:07] gonna
[01:28:07] make
[01:28:07] me
[01:28:07] do
[01:28:08] an
[01:28:08] outline
[01:28:09] and
[01:28:09] come
[01:28:09] up
[01:28:09] with
[01:28:10] a
[01:28:10] budget
[01:28:10] for
[01:28:11] how
[01:28:11] much
[01:28:11] money
[01:28:11] I
[01:28:12] think
[01:28:12] I
[01:28:12] need
[01:28:12] for
[01:28:13] the
[01:28:13] production
[01:28:13] because
[01:28:14] of
[01:28:14] course
[01:28:14] I
[01:28:14] could
[01:28:14] do
[01:28:15] the
[01:28:15] production
[01:28:15] and
[01:28:15] all
[01:28:16] the
[01:28:16] editing
[01:28:17] and
[01:28:17] everything
[01:28:17] but
[01:28:17] again
[01:28:18] the
[01:28:18] people
[01:28:18] who
[01:28:18] work
[01:28:19] with
[01:28:19] me
[01:28:39] raising
[01:28:40] millions
[01:28:40] and
[01:28:41] shit
[01:28:41] so
[01:28:41] you
[01:28:41] know
[01:28:42] but
[01:28:43] yeah
[01:28:43] nah
[01:28:43] I'm
[01:28:43] gonna
[01:28:43] put
[01:28:43] it
[01:28:43] together
[01:28:44] I'm
[01:28:44] gonna
[01:28:44] put
[01:28:44] it
[01:28:44] together
[01:28:44] from
[01:28:45] righteous
[01:28:45] to
[01:28:45] ratchet
[01:29:02] but
[01:29:02] I
[01:29:13] so
[01:29:14] yeah
[01:29:14] all right
[01:29:15] y'all
[01:29:15] let me
[01:29:16] run
[01:29:16] man
[01:29:16] I
[01:29:16] appreciate
[01:29:17] y'all
[01:29:17] as
[01:29:17] always
[01:29:18] always
[01:29:18] supporting
[01:29:19] me
[01:29:19] always
[01:29:19] hanging
[01:29:19] with
[01:29:20] me
[01:29:20] on
[01:29:20] the
[01:29:20] late
[01:29:20] night
[01:29:21] early
[01:29:21] morning
[01:29:21] afternoon
[01:29:22] make
[01:29:23] sure
[01:29:23] you
[01:29:23] if
[01:29:24] you're
[01:29:24] not
[01:29:24] getting
[01:29:24] the
[01:29:25] notifications
[01:29:26] hit
[01:29:26] the
[01:29:26] bell
[01:29:27] over
[01:29:27] and
[01:29:27] make
[01:29:27] sure
[01:29:28] it's
[01:29:28] on
[01:29:28] all
[01:29:28] I
[01:29:29] upload
[01:29:30] videos
[01:29:30] periodically
[01:29:31] throughout
[01:29:31] the
[01:29:31] day
[01:29:32] and
[01:29:32] I
[01:29:32] can
[01:29:32] tell
[01:29:33] y'all
[01:29:33] not
[01:29:33] getting
[01:29:33] the
[01:29:33] notifications
[01:29:34] for
[01:29:34] that
[01:29:34] today
[01:29:36] but
[01:29:36] yeah
[01:29:36] we're
[01:29:37] gonna
[01:29:37] get
[01:29:37] this
[01:29:37] money
[01:29:37] together
[01:29:38] I'm
[01:29:38] just
[01:29:38] gonna
[01:29:38] tomorrow
[01:29:39] I'm
[01:29:40] gonna
[01:29:40] make
[01:29:40] this
[01:29:41] my
[01:29:41] priority
[01:29:41] to
[01:29:42] talk
[01:29:42] to
[01:29:42] some
[01:29:42] people
[01:29:43] matter
[01:29:43] of fact
[01:29:43] my
[01:29:45] West
[01:29:45] Coast
[01:29:45] people
[01:29:49] yeah
[01:29:50] no
[01:29:53] neo
[01:29:53] soul
[01:29:54] either
[01:29:54] yeah
[01:29:54] it's
[01:29:55] a lot
[01:29:56] yeah
[01:29:58] all right
[01:30:00] yeah
[01:30:00] I'm
[01:30:01] gonna
[01:30:01] figure
[01:30:02] it out
[01:30:03] but
[01:30:04] yeah
[01:30:04] I
[01:30:04] appreciate
[01:30:04] y'all
[01:30:05] always
[01:30:06] for
[01:30:06] rocking
[01:30:07] with
[01:30:08] me
[01:30:09] make
[01:30:10] hip
[01:30:10] pop
[01:30:12] interviews
[01:30:14] great
[01:30:15] again
[01:30:16] it's
[01:30:17] our
[01:30:17] job
[01:30:18] to
[01:30:19] hold
[01:30:19] people
[01:30:22] accountable
[01:30:23] it's
[01:30:24] our
[01:30:24] job
[01:30:26] so yeah
[01:30:26] let me
[01:30:27] call some
[01:30:27] people on
[01:30:28] the West
[01:30:28] Coast
[01:30:28] give them
[01:30:30] my own
[01:30:31] ideas
[01:30:32] and see
[01:30:33] what we
[01:30:34] can do
[01:30:34] because
[01:30:34] look I
[01:30:35] could get
[01:30:35] MC8
[01:30:36] on there
[01:30:36] I definitely
[01:30:37] could get
[01:30:37] MC8
[01:30:38] you know
[01:30:39] that's the
[01:30:39] partner
[01:30:40] for the
[01:30:40] show
[01:30:41] that I
[01:30:41] got
[01:30:41] so I
[01:30:41] could get
[01:30:42] MC8
[01:30:42] and he
[01:30:43] could talk
[01:30:43] about
[01:30:43] growing up
[01:30:44] in Compton
[01:30:45] did he hear
[01:30:46] Boogie Down
[01:30:47] Productions
[01:30:47] and all
[01:30:48] that
[01:30:49] yo
[01:30:49] nah
[01:30:50] see
[01:30:50] now y'all
[01:30:50] got me
[01:30:50] hype
[01:30:52] now y'all
[01:30:53] got me
[01:30:53] hype
[01:30:53] because I
[01:30:53] can hit
[01:30:54] 8
[01:30:54] right now
[01:30:54] oh
[01:30:56] hold on
[01:31:00] hold on
[01:31:01] hold on
[01:31:01] hold on
[01:31:01] hold on
[01:31:21] you see
[01:31:22] his name
[01:31:23] I was
[01:31:23] calling him
[01:31:28] West Coast
[01:31:28] Cam
[01:31:30] Cam
[01:31:31] he still
[01:31:31] still
[01:31:31] got love
[01:31:32] for him
[01:31:33] he's
[01:31:34] part of
[01:31:34] the Nation
[01:31:34] of Islam
[01:31:35] he was
[01:31:36] on the
[01:31:36] West Coast
[01:31:37] he does
[01:31:39] he's on
[01:31:39] Digital Soapbox
[01:31:40] every night
[01:31:40] going live
[01:31:41] make sure
[01:31:41] you check out
[01:31:42] West Coast
[01:31:43] Cam
[01:31:43] I could get
[01:31:44] Cam on
[01:31:45] it
[01:31:47] so I
[01:31:48] got
[01:31:48] some
[01:31:49] people
[01:31:49] I could
[01:31:50] hit up
[01:31:50] they all
[01:31:50] gonna hit
[01:31:51] me back
[01:31:51] too
[01:31:51] after I'm
[01:31:52] off
[01:31:52] live
[01:31:52] because I
[01:31:52] wanted
[01:31:53] them to
[01:31:53] talk to
[01:31:54] me
[01:31:54] live
[01:31:55] I
[01:32:01] on that
[01:32:01] West Coast
[01:32:02] and watch
[01:32:03] because you
[01:32:04] gotta remember
[01:32:07] you could
[01:32:08] have been
[01:32:08] a gangster
[01:32:08] rapper
[01:32:09] you could
[01:32:10] have been
[01:32:11] ratchet
[01:32:14] but you
[01:32:14] joined the
[01:32:15] Nation
[01:32:15] of Islam
[01:32:16] why
[01:32:16] see what
[01:32:22] I'm
[01:32:22] saying
[01:32:24] yes
[01:32:25] thank you
[01:32:25] the monetization
[01:32:26] been back
[01:32:26] I just
[01:32:27] don't tell
[01:32:27] people
[01:32:27] because when
[01:32:28] you do
[01:32:28] people
[01:32:28] start
[01:32:29] hating
[01:32:30] listen
[01:32:31] I
[01:32:31] can get
[01:32:31] anybody
[01:32:32] anybody
[01:32:32] is attainable
[01:32:33] you know
[01:32:34] what I'm
[01:32:34] saying
[01:32:35] so yeah
[01:32:37] yeah
[01:32:37] that's
[01:32:37] West Coast
[01:32:38] Cam
[01:32:38] that's
[01:32:39] the bro
[01:32:39] we just
[01:32:39] had
[01:32:39] again
[01:32:40] I speak
[01:32:41] to these
[01:32:41] guys
[01:32:41] every day
[01:32:42] but I
[01:32:43] just gotta
[01:32:43] bring them
[01:32:44] on the
[01:32:44] stream
[01:32:44] if you
[01:32:45] look on
[01:32:45] here too
[01:32:45] I got
[01:32:46] a dope
[01:32:46] interview
[01:32:46] with West
[01:32:47] Coast
[01:32:47] Cam
[01:32:47] too
[01:32:48] you know
[01:32:48] what I'm
[01:32:49] saying
[01:32:50] Diggable
[01:32:50] Planets
[01:32:51] one of
[01:32:51] them
[01:32:52] was living
[01:32:52] in my
[01:32:53] hood
[01:32:53] for a
[01:32:53] while
[01:32:53] too
[01:32:55] I
[01:32:56] want to
[01:32:56] get some
[01:32:56] executives
[01:32:57] too
[01:32:59] I
[01:33:00] know
[01:33:00] some
[01:33:00] executives
[01:33:01] that I
[01:33:01] could
[01:33:01] get
[01:33:02] a lot
[01:33:02] of
[01:33:03] them
[01:33:03] a lot
[01:33:04] of
[01:33:04] the
[01:33:05] A&Rs
[01:33:05] from
[01:33:06] Loud
[01:33:06] records
[01:33:06] like
[01:33:06] Maddie
[01:33:07] C
[01:33:07] Scott
[01:33:07] Free
[01:33:08] remember
[01:33:09] they
[01:33:09] signed
[01:33:10] Dead
[01:33:10] Prez
[01:33:11] so
[01:33:12] at
[01:33:12] what
[01:33:12] point
[01:33:12] was
[01:33:13] Dead
[01:33:14] Prez
[01:33:14] not
[01:33:14] relevant
[01:33:15] when they
[01:33:18] was turning
[01:33:18] the music
[01:33:19] was Loud
[01:33:19] saying
[01:33:20] yo we
[01:33:21] don't
[01:33:21] want
[01:33:22] this
[01:33:22] no
[01:33:23] more
[01:33:24] hmm
[01:33:30] yeah
[01:33:31] aight
[01:33:32] y'all
[01:33:32] got me
[01:33:32] in my
[01:33:34] bag
[01:33:36] aight
[01:33:36] y'all
[01:33:36] man
[01:33:37] let me
[01:33:37] get up
[01:33:37] out of
[01:33:38] here
[01:33:39] um
[01:33:39] yeah
[01:33:40] I got
[01:33:41] mad
[01:33:41] Papa
[01:33:42] Wu
[01:33:42] interviews
[01:33:42] too
[01:33:44] rest
[01:33:44] in
[01:33:44] peace
[01:33:44] to
[01:33:44] Papa
[01:33:45] Wu
[01:33:45] I got
[01:33:46] his
[01:33:46] sons
[01:33:47] on
[01:33:47] this
[01:33:47] channel
[01:33:47] too
[01:33:47] if
[01:33:48] you
[01:33:48] look
[01:33:48] up
[01:33:49] Papa
[01:33:49] Wu
[01:33:49] sons
[01:33:50] just
[01:33:50] type
[01:33:51] it
[01:34:43] very very possible
[01:34:44] shit I would even get
[01:34:45] Killer Mike
[01:34:46] but yo let me go
[01:34:47] I talk for a living
[01:34:48] I don't want to talk no more
[01:34:50] I holla at y'all peace
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