Buju Banton Criticizes Afrobeats Too! Yall Going To Give Him Pushback?

[00:00:01] Speaker A: That's right. Doggy diamonds, no filter.com doggydimens nofilter.com make sure you log on doggydimens nofilter.com on that website. You might be able to catch up on videos you haven't saw by me, as well as get in contact with me on all social media sites. Doggy diamonds no filter.com and also, listen, man, have you heard about my hundred dollar promo deal? This might be something that you can utilize for your brand. Let me give you some details really quick. So the promotion that you purchase will be done on Doggy diamonds tv and the inner loop tv that's on the Insta stories, YouTube communities, the threads accounts, Facebook accounts, and the Twitter accounts. I could promote whatever you need. But as a reminder, this is for serious inquiries only. Must be cash app ready. I can bring more awareness to your products. Just contact me. Auggie diamonds on Instagram. Auggie diamonds on Instagram. Let's go, yo, as we. As we go, man, don't forget. Don't forget that. Don't forget that. Understand? Don't forget that. That's the most important thing. Yeah. Terrence Foster. Ha ha. Wat slice. What's up, asiatic? Oliver Young, big maul in the building. I'm pretty black KJ in the building. Disrupting reality, NYC. Caramel King, 200K in the building, yo. And don't forget, doggie Diamonds did this. Doggy diamonds did this. Doggie, doggie, doggie Diamonds did this. That was offbeat. That pissed me off. Self sufficient dope name. Storm and Norman. What's up? I see y'all in the building. As you get in here, hit that, like, button. It's very, very important. Super be duper. I'm chilling. Unpopping opinions. What's up? Yeah, yeah. Richard Assante. What's up, AJ wise? What's up, Shaj 76, DJ red light. I'm here. I feel so vindicated. Oh, man. A lot of things I say on this show, people often critique me. People often say, oh, you, this, that, you third. But then when somebody else say it, y'all look at it like it's valid. So let's go. Tonight we gonna show improve, show improve. Peter truth, what's up? I see you. I see you. Don't forget, doggie Diamonds did this. Mob town. What's up, Brad Stacey, clout chaser Olympics, t o McGee. What's up? I see you. I'm here. This is my second live for today. I did a live on the OG Wisdom podcast today. Go check that out. Young yalla, what's up. Move, move. Seven, four. Move, move. Get out the way. Aj y said call it bootleg reggae. Hey, I agree. See live hip hop daily on demand in the building. The best intro in the best intro on YouTube. And don't forget. Yes. Talk show visionary. Yeah. Oh, he we going there tonight. Hold on, hold on. Matter of fact. Stop the music. Stop the music. Stop the music. Stop the music. Stop the music. Stop the music. Listen, this is what I love about this culture. When I say something, I get a lot of pushback. I get a lot of flack. Although I'm very prophetic. I don't want to sound narcissistic, but I be telling y'all stuff. And sometimes the way I say it, because I got no filter. It don't be that palatable. I don't have the so called stage to say it. So people like, I get a lot of pushback. Get a lot of pushback. Now, when other people say it, you wanna jack it, you wanna say, oh, he got a point. Oh, that's true. Some of the stuff these people be saying, I done said years ago. I can straight up and down show you receipts. All of that. Jeezy sent. Jeezy told your kids to trap or die and sent his kids to college. That's me. 2015. All of that. Stop calling people rappers. Rap is another thing for n word. No. RVD, but that's me. But then when Kanye say it on drink champs. Yeah, I never looked at it like that. No, but it be the same people in this chat room sometimes or in the comments. People on Twitter, you always complain. Complaining about what? I'm just stating the obvious about the culture. I'm not complaining. Talking about the culture. The culture is here to be spoken upon, good and bad. But when I say the good things about the culture, nobody hears that. You only happen to see when I'm complaining. You mean the way your girl complain when you on her for two minutes and you get up? I don't complain that I don't get no box. I don't complain that I ain't got no money. I don't complain that I'm unsuccessful. These are things you try to say to me. Oh, nobody listens to your podcast. Nobody cares a damn about you. Why you commenting? I told y'all. I told y'all Afro Beats was annoying. I told y'all was annoying. I told y'all it was fake reggae, fake reggae tone, fake reggae. I told y'all that. Now you got the big gargamel, the big boozhoo, mister. Boom. Bye. Bye. Repeating not basically because I said it, because that's how he feels as well. He not saying what I said verbatim, like others have. He's saying how he feels. Is he gonna get pushed back? Are you gonna take somebody from the reggae culture, the dance hall culture, one of the big wigs who put on for the culture, when he states his opinion, are y'all gonna give him pushback? That's always all I wanna know. Or is it biased against the kid? I know sometimes you might look and see my shape up be shaping. I ain't even brush my eyes or nothing like that. You can see his beard is soft, you know? I know sometimes you might see that look and be like, look at this nigga beard. It's too shaped up. His glasses are glimmering. Where did he get that hat? I know sometimes it's tough. It's tough. Look at be in the chat, bozo. Wait, it gets worse. Anybody who want to oppose, oppose anything that I say. I always got proof. I don't sit there and talk from the side of my head or listen. I think it's annoying. I think it's trash. I said that he criticized it. So are y'all gonna take his criticism? Are you gonna take that? Only bimidi. Are you gonna criticize that now? Is they gonna switch up? Is Burnaboy? Is all of these people, happy birthday, happy birthday, happy birthday, happy birthday. Are they gonna go Abuja or everybody wanna be mad at me? Everybody wanna be mad at me for saying the obvious. But you know what? Y'all ain't got the motherfucking nuts to say stuff. Y'all ain't got the platform to say stuff. That's the problem. You want to be scared. You just want to be with everybody else. Everybody say something and you want to just be with them. You just want to hang with all the good guys. Guess what? [00:08:50] Speaker B: I'll be the bad guy. I'm okay with that. [00:08:59] Speaker A: Yeah, I want to be. Only be would have been good energy. I don't need no negativity. That's what y'all won't be down with that, right? But y'all not gonna go with him. Y'all wanna say y'all won't go with me? Oh, you're mad. You're bitter. You're jaded. You're just like girls. You know, girls call men bitter based off of being in a relationship. Why would I be bitter? Why would any of you dudes call me bitter? Better at what? Happy birthday. Happy birthday. Happy birthday. Them people don't be jacking us. They take our style. They could. They try to rock black tees like us. Snap back shades. They don't give a damn about us. The music is stupid. I said that. But let's go to one of the pioneers of the culture and let's see what they have to say in real time. Hold on. Let's go to one of the pioneers. Hold on. Where you at? Here goes one of the pioneers. Let's see, let's see. [00:10:31] Speaker C: That was very interesting. [00:10:32] Speaker A: Go ahead, go ahead. [00:10:33] Speaker C: Nori, you said afrobeats gives props back to reggae, to dance hall. [00:10:39] Speaker D: Do they woo? [00:10:41] Speaker A: Do they? Look at his face. This man. Listen. Do you not understand? Look at his face. He just smoked like a pound of reefer. You think he playing after all that reefer? Look at his face. You tell by that gray streak in his bed. He not playing. He smoke reefer. He ain't playing with Norrie. All that jokey shit you doing, Norrie, he ain't playing. You know he got a machete under that referee shirt. You know, under that foot locker shirt is a machete. Nori, you better stop playing. Let's go. [00:11:17] Speaker C: I thought I heard you say that. [00:11:19] Speaker A: I said you thought. You thought like Nelly. Nelly thought Jan was jelly. Let's go. [00:11:23] Speaker D: I don't think that. No, I never said that. Fucking props back to Don Salon reggae. [00:11:27] Speaker A: Oh, he got mad. Look. Yo, yo. Hold up, hold up. You know for a fact. Hold on, hold on, hold on. You know for a fact? You know for a fact he got a machete under his foot locker shirt. You know for a fact he not playing, nor are you misquoting him. He ain't playing. He cursed and every. You know when you speak, when the winner listen, when the west indian curse and you kind of don't understand him, it gets a little spooky. He got mad. That was Gargamel just now. That wasn't boozy Bonton. That wasn't warlock or jump. That wasn't him. That was Gargamel. That was the dude with the long turtleneck dress with the bandaid on it in one jib. That was Gargamel just now. Nori, you misquoted him. You think he put on that foot locker shirt to play with y'all? Hold on. Let's go. Let's go back to it, too, cuz. We. We gonna. We gonna get some stuff straight tonight. When I say it, that was that. Don't come to me with that scary business. That was that right there. Let's go. Hold on, hold on. Let's go. Let's go. What you say? Hold on. [00:12:54] Speaker B: They. [00:12:57] Speaker C: I thought I heard you say that. [00:12:58] Speaker A: Uh huh. [00:12:58] Speaker D: I don't think they. No, I never said that. I said, don't give fucking props back to Don Solomon. [00:13:03] Speaker C: I heard it, bro. [00:13:05] Speaker A: Whoa, now, you really. Dyslexia. Oh, my bad. [00:13:08] Speaker C: I thought I heard it. Heard it the other way around. But then I heard you say. Cause I heard you say afrobeats. I thought I heard you say that. Afrobeats, like no pay high. [00:13:17] Speaker D: Richest musician out of Africa was fella Kute facts. [00:13:23] Speaker A: Yeah, fella kute facts. [00:13:28] Speaker D: Lucky Dube from South Africa. We had Salif Keita. We had Yusu endur. [00:13:34] Speaker A: Over my head, we have Baba Maldem. He know his history. [00:13:38] Speaker D: No one wanted to go beyond the pale of what those brothers was doing. I went to Africa in 1991, and I spent, like, three weeks. [00:13:45] Speaker A: 1991. You understand? He said 1991. He was out there for tree weeks. Tree. Tree. Three weeks in 1991. Some of y'all were still swimming around in your daddy's nuts, and he was in Africa. Go ahead. Go ahead, Gargamel. Go ahead. [00:14:06] Speaker D: Educating people from Ghana over the continent about reggae, music and dancehall. But I was happy when they came to their senses to realize that music is the bridge that's going to connect us. But what I was disappointed in, they didn't try to connect with Jamaica. The roof. They connect with everyone else. [00:14:21] Speaker A: Oh, what I say? What did I say? Go back to my video. Go back to my video. They try to act like they re embittered. They reinvented the wheel. I said it was fake reggae. He ain't crack one smile. Reggae Nori. You joking? Even DJ efn was like, oh, shit, I'm ready to run. You know how many blood clots you about to be, Nori? You about to be rock clots. Blood clots. You bound to be all type of clots. You about to be all type of clots, nori. So let's go. Let's go back into it. Come on, you two. Stop playing all this buffering. I see you trying to play. I see you. It ain't gonna work tonight. It ain't gonna work tonight. Hold on. Let's go. Let's go back to Gargamel, this gargamel. We eating boozy tonight. [00:15:35] Speaker D: Go ahead, sepus. [00:15:37] Speaker C: And you talk more afrobeats. [00:15:38] Speaker D: Yes. [00:15:39] Speaker C: Okay, okay. Sorry. [00:15:40] Speaker D: So they're connected with everyone else except us. But look at what they're doing. Their music is not free in Africa. It's fuck cray. [00:15:47] Speaker A: Oh, yo, yo, yo, yo. Yo, when he hit you. Listen, hold on. Time out. I can't breathe. When they hit you with the fuckery. When they hit you with the fuckery he said the music is fuckery. Give me something to drink. Once he tell you it's fuckery. It's not fuckery. It's fuckery when he say the music is fuckery. Where's Burnaboy at? Where y'all Athenae? Y'all gonna go against boozy? You gonna burn. Leave it only be any birthday. Happy birthday. Birthday. You gonna do all that against Gargamel? I dare you. It's fuckery. It's not even fuckery. You can't even put the. Ain't even no er in that. It's f u c k y. It's fuckery. No, no, no. F u c k r y. Or R e e or ri. You know, I prefer it's fucking fuckery. When the man says the music is fuckery. Look at this dude b. This dude b. He must be. He must be one of them bone dibba. Never, never bone. He must. He said it's fuckery. They don't pay homage to the same thing they did to reggae. You're doing the hip hop. That's what I was sticking up for. He's supposed to stick up for reggae and dance hall. I'm supposed to stick up for hip hop. That's what I did. So he's saying the same thing I said just about the other part of the culture, which is reggae. When he say fuckery, yo, I'm out. When he say fuck is fuckery, yo, grab a gun. Listen. Grab your incent and bounce. You came to the spot to get you some incense, maybe some lighters. When they say fuckery is over, but let's get back to Gargamel and what he had to say. Hold on, hold on, hold on. With a big gar gag. Gaga. Garga. Gargamel. There you go. Hold on. Let. Let's go back. What you say? What you say? It was what you say. [00:18:10] Speaker D: When we look at what they're doing, their music is not free in Africa. [00:18:13] Speaker A: It's not free in Africa. It's fuckery. What else? You gotta laugh. Cause nori is like, what happened? [00:18:20] Speaker D: Free Africa in Jamaica. And my country and my people fight for free. Your continent with words, sound and power. And you have the ability now, and all you're singing is fuckery. You don't sing a song to free Africa all now. [00:18:36] Speaker A: Yo, when them yellow eyes turn like that, let me tell y'all something. You see them. When them yellow eyes look like that, he got like a switch blade, machete or something. He don't even got a, like. He just pull it out and then ting. It's like a Wu Tang sword or something like that. You see, when them yellow eyes get like. Hold on. [00:19:01] Speaker B: When them yellow eyes get like that. Nori, stop smiling. Ain't shit funny. [00:19:10] Speaker A: Let's go. What else, what else? What else we need? [00:19:12] Speaker D: I'm bringing this to the forefront of your mind. But we desire more from them. [00:19:15] Speaker A: Go ahead. [00:19:16] Speaker D: You want the money? Go get it. [00:19:18] Speaker A: Go ahead. [00:19:19] Speaker D: But what's gonna be said about you later on? God, posterity, you didn't make it. [00:19:24] Speaker A: When he say posterity, start using big words on y'all. He learned the words in prison. When the posterity. What's that word again? Tell them again what that word is. Go ahead. [00:19:34] Speaker D: Make any impact. [00:19:35] Speaker A: You make an impact. Go ahead. What else? [00:19:37] Speaker D: So reggae music still stands predominant? It is still. [00:19:41] Speaker A: Hold on, hold on. What you say we gotta go back. [00:19:42] Speaker D: The impact. [00:19:43] Speaker A: No, no, no, go back, go back. [00:19:45] Speaker D: You want the money? Go get it. [00:19:46] Speaker A: Go get it. [00:19:47] Speaker D: But what's gonna be said about you later on and your posterity? [00:19:50] Speaker A: Oh, you know what? I'll let y'all know now. Posterity is in for me. You wanna hang with Diddy? Go hang with Diddy. What were they gonna say about you little later on with your posterity, huh? What they gonna say about you, Karisha? Go ahead, go ahead. [00:20:07] Speaker D: You didn't make any impact. [00:20:08] Speaker A: Uh huh. Go ahead. What else? [00:20:11] Speaker D: So reggae music still stands predominant? It is still the king's music. [00:20:15] Speaker A: King's. Go ahead, go ahead, go ahead. Go ahead, laugh now, nori. Don't try to clap and settle the mood down. [00:20:22] Speaker C: You should say I wasn't ready. [00:20:25] Speaker A: Not the way you set it up. You said it wrong. [00:20:27] Speaker C: In the stars, I might have heard it wrong, but then I. Oh, now. [00:20:30] Speaker A: I heard it wrong. Yeah. Norrie. Huh? You ain't see. I don't see no booze on that table either. You know, gargamel ain't come to play. Go ahead. [00:20:36] Speaker C: Also heard you say, this is something that I really, really, really listen to. You. [00:20:41] Speaker D: Let me ask you a question, okay? [00:20:42] Speaker A: Please. [00:20:42] Speaker C: I'm in. [00:20:43] Speaker A: Listen when you talking. And the West Indians stop and say, let me ask you a question. Yo, don't just leave, fam. Don't even answer the question. You in trouble. It's about to get spooky, but go ahead. Go ahead. Go ahead. [00:20:56] Speaker D: Sana can uplift us. Uplift us. Take us from Kenya is suffering people of young men of Kenya. Revolt in South Africa is on Sudan. South Sudan, you name it. But which one of these songs can I relate to for a peace of mind to tell me that I'm in the struggle, and we are going to be better in the struggle. [00:21:16] Speaker A: So. So, Gargamel, you trying to tell me that don't uplift you, bro? That don't uplift you? I guess not. Continue. [00:21:30] Speaker D: And even though the struggle is hard, we're gonna overcome. [00:21:34] Speaker A: When he. You see when he punched that fucking table just now, you see that thumb? He shit up. Burn a boy nose. Go ahead, though. [00:21:42] Speaker D: Tell me. [00:21:42] Speaker C: You know what? So I don't think I can. [00:21:44] Speaker D: Reggae music. [00:21:46] Speaker A: Oh, oh. Tamade, time out. When they do this, you see, not them. We hit you with this. Look at this. Look at that. When they close. Look at the. Look at the passion. He closed his eyes and hit you with this. Look at that. When he hit you with that guy. [00:22:02] Speaker C: Right? [00:22:04] Speaker D: Listen, a lot of culture vultures out there. We are. [00:22:10] Speaker A: Yo, hold on, hold on, hold on, hold on, hold on. He said culture vultures. He said culture vultures. He called them culture vultures. But y'all want to say, no, they're black. He called them culture vultures. You know, that's one of my favorite words. Now, let me put some in this proper perspective. Doggie Diamonds was the first person on the Internet saying culture vulture. Not Dame Dash, not none of them. I was saying that culture vulture, which comes from the war correspondent Del Jones book, Culture Bandits. Del Jones. D e l. Jones, comes from Culture bandits. I said culture vulture. Another thing I said twelve years ago on Twitter when niggas was crying, because I'm always saying something on Twitter and it offends people. The whack ass ex partner I used to have worried about his wack ass non rap career. Oh, you saying stuff on Twitter, it's gonna mess up stuff for me. Well, nigga, I ain't around you no more. Where your career? Where your rap's at? I ain't no scapegoat. I stopped being a scapegoat in 2015. But I was saying culture vulture. But it comes from culture bandit by Del Jones. Look it up. The war correspondent. Look it up. Dell Jones. That's where it comes from. When he broke down Elvis and all these people. But I said vulture, but it comes from culture bandits. Oh, empress, you out. Hey, might be that time for you to leave. You know, it might be that time of the month. You might be suffering from, like, excess bleeding right now. So if you out, you know, you gotta go change that blood clot. I know. Gotta change that blood clot. Pun intended. But let's go. Let's go. This gets greater. It gets greater. I love it. I love this. I love this. I love this. Come on. You back on the big screen. Let's go. [00:24:33] Speaker D: And we have watched reggaeton. Take it. Music so hard and stolen our culture. I'm not knocking nobody but you. Don't give us no respect. Motherfuckers. [00:24:45] Speaker A: Oh, yo, editor. Our mother. Yo, listen. Some of these words. Listen, when the weed spots was in the hood, when they look at you like this, they look through them yellow eyes. You see how you looking at Nori? You see them wrinkles in his forehead? He got a machete slash for every wrinkle in his forehead. For Nori. Norrie. Norrie. [00:25:14] Speaker B: Tread lightning. [00:25:20] Speaker D: And you still expect us to culture and act like we take something from you? This is the king's music. Your music shall come and it shall go. Cause it has nothing to do with soul. It has nothing to do with building energy. Our music is ta. [00:25:33] Speaker A: Oh, it has nothing to do with energy but good energy. I don't have no time for negativity around me. What about that? Or good energy. [00:25:44] Speaker B: I don't have no type of negativity or me, whatever the fuck is that. [00:25:49] Speaker A: But let's go. Go ahead. [00:25:50] Speaker D: Hi, Marco. You can remember when you went on your first date, when you had your first sex, when what? [00:25:54] Speaker A: What did I say about music? Music chronologicalizes my word, your life. Music. No, no, no. Cause I gotta come back on screen for this one, cuz. Cuz. Y'all gotta. Y'all gotta see this. Y'all gotta understand me. Hold on. Y'all gotta understand me. Music. Music is supposed to. It's supposed to provide a soundtrack for your life. Y'all heard me say this before. The haircut you had, the sneakers you wore, who you were dating, what school you went to. That's what music was supposed to do. You might be. Remember when I came through the door? I said it, but you remember when that came out? You remember when it was all a dream? You remember. You remember. Whose world is it? You remember I said this before, but again, I'm glad when other men, who I consider to be great men say something that I said before. And it's nothing stolen from me. It's just a sentiment. You know why? Because it's the truth. I said that before. I said that before. You supposed to remember what sneakers was out there. Oh, we had the Bo Jacksons. Matter of fact, I had to fade with the part right here. That's what music used to do. Now, you tell me what you were doing when the city girls came out. You tell me what you was doing. You tell me what you was doing. You don't remember none of that stuff. It's all a blur. You don't remember nothing. Nothing is sticking, nothing is staying with you. Nothing is a part of your life. You don't remember how you had your hair. You don't remember anything. You go places. You don't remember the event, because when you go places and places of fun, right? When you go to places of fun, that same good music, come on. None of this music comes on. You're gonna hear good times. You're gonna hear. You're gonna hear some nas, you're gonna hear some Jay Z, you're gonna hear some DMX. You gonna hear that I don't care. Barbecue music. Shout out to the brother, easy mo. The big bro, easy mo, b. He said, yo, cookout music. If your music make the cookout, you good, ain't playing none of this at the cookout ten years from now. That's what I'm telling y'all about. Classics. But the minute I say something about a classic, because you like said artists, you want to argue with me about. You want to argue about what a classic is? Now, you see one party, you seen them all. They going to twerk. The dudes is going to stand around on their phones with Mendez. They not even gonna look at them cakes twerking, and get up on them cakes. They gonna sit around, posture around each other, 1020 deep, shirtless men like this. And all that cake jingling over there. And you surround your homeboy. See the difference in my time? Let that reggae come on. I'm gonna get me a wine. I'm a post on that wall. Pull her towards me, and she could give me something I could feel like goddamn in vogue. That's what I remember. That's what I remember. None of this music that's out. You ain't gonna remember this. Stop saying stuff is a classic. Stop saying stuff you heard. Oh, it's a classic. It's a classic. Is it really? Is it really? You don't even play it now, but I know y'all beloved. I know y'all love people. I know you love Nas. I know you love fit. I know it's some people on the Internet that can't do no wrong. I know. Nah, magic three is a classic. King's disease is classic. Oh, really? Give me one record that you playing. Now, give me one record that you playing next week, and I don't want to single him out. It's many like him. Like I said, that new music ll cool J is coming out with is puppy frown. I don't like none of it. It ain't dope, period. I don't care if it's Q tip, four tip, or five tip, or pause. That's executive producing it. It ain't dope. It ain't no jingling baby. It ain't no backseat of the jeep. It ain't no I need love. It ain't dope. When music ain't good, I'm gonna tell you it ain't good. And when music is dope, I'm gonna sit here and say, yo, listen, it's fire. Cause when I do my music reviews and I say, yo, shit is dope. Oh, y'all didn't hear that? You didn't hear when I said, yo, that Pete rock and, um. And common album is dope. Actually, it puts a pressure on Nas and Primo to finally do they collab how we put pressure on Nas and Primo. Nas been already doing that with Hitboy. Hit. Boy, you made me get him a high pitch voice hit, Boyden. So, y'all comparing Hitboy to Primo? I mean, just help me understand. Y'all telling me y'all rather hear Nas and hitboy than Nas and Primo? The comparison I was making for the slow people. Cause I know sometimes, you know, maybe I talk too fast. Maybe I'm too Brooklyn in my vernacular. Maybe I sound like I'm from up north or whatever. What I was saying was these nostalgia albums. One producer from the cloth, one emcee from the cloth. Or this way, when we do, yeah, let's do it this way, from the cloth getting together. That's why I said the long anticipated Nas and Primo album is under pressure now because of what common and Pete rock did. Not to mention that Pete rock did the same thing with Camp low. Before he did it with smoke Dizzle, before he did it with Smith and Wesson. He's been doing one producer albums with people. So all that Hitboy and Nas stuff, Pete Rock, Ben did that. He been doing it. So that's what I was saying. But, you know, I know you Nas Nasites, you nazisms. I never said he couldn't rap. I never said he was dope. I just said, I don't like that music. And you know what? DJ Muggs, too, as well. Jizza album with DJ Muggs. He did plenty albums with people. But when we talk about music, at the end of the day, it's all subjective, but it's about, look, Hitboy is fire. I disagree. You know why I disagree? You know why I disagree that Hitboy is fire? Cause I can make this anytime I feel like it. I got a million of these. Imagine Nas on this. You'd rather hear Nas on this or that. Hitboydeh. Let's go, bitch. And Nas right here. Smoke anything he did with Hitboy. You give me one that could stand up to this. Give me one. Imagine Nas on this. Imagine Nas on this. Hit him with the chains right here. Come on, Nasda. That's why I could say what I say. I could say what I want. I could do what I want. I'm above. I'm above this. I'm in this. And if you pay attention to what I do, if you listen to me, got thousands of those. I got thousands of those. Not y'all. Not y'all. I love y'all. I love y'all. But I'm just saying, man, listen, first of all, you call me narcissistic. I saw you. Nas, black magic. You can't front. I'm telling you, I don't like it. Sonically, hit Boyden is not dope. That's what I said. I can say that. You know why? Cause I'm from the cloth. Your favorite producers respect the hell out of me. They know what I do. They know. They call me what you think about this, but I don't talk about private conversations that I have with my peers. They know. They dm me and say, I'm glad you said that. They say that. You know why? Cause they don't have a platform. And if they do say certain things, they would be considered to be haters. But guess what? I'm okay. [00:35:10] Speaker B: I'll be a hater. I have no filter. [00:35:17] Speaker A: And. And anytime we talking about the culture, talking about the culture, it's okay. Me versus I smoke hit boy with beats I did 20 years ago. Anyway, how's everybody doing tonight? Retropolitan shout out to my bro. Scazzle Brooklyn skies who live, you know, skies who grew up in my neighborhood. But listen, though, hopefully everybody's good. Hopefully everybody's okay. I will be here every night. Every night. The new time will be 830.